Jazz Quotes
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I was a kid living in New Jersey, who – I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't even really into jazz that much.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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My music is jazz.
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Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
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I listened to the radio, so I was influenced by everyone from Michael Jackson to Milli Vanilli. But thankfully my dad had a collection of Cat Stevens albums while my mom was listening to jazz.
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Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
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I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
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Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things - all that to me is jazz just as much as the music we play.
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I made a good living for a teenager. And I had to learn all different kinds of music - jazz, swing, Motown, pop - and that inspired what kind of music I started to write.
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Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.
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Marching onward, marching onward Marching to that lovely tune Marching onward, marching onward Happy as a bird in June Sliding onward, sliding onward Listen to that rag Hop and skip now do that slow, oh Do that slow drag Dance slowly, prance slowly Now you hear that pretty rag Dance slowly, prance slowly Now you do the real slow drag Waltz slowly, waltz slowly Listen to the ragtime Hop and skip Now do the slow, oh, do the slow drag
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I'm a great believer that actors are very similar to session musicians. You wouldn't ask a session musician, 'How do you play jazz,' and then, 'How do you play classical?' They just do it, because if they don't do it, they don't eat.
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I think jazz is good, but I don't enjoy it. It's not for me.
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I understood jazz, I understood how it worked. That's what I apply to everything.
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I am famous because I am an African American jazz artist.
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They flat their fifths, we drink ours.
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I listen to everything from jazz to reggae to heavy metal and I kind of combine everything to make something different
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Jazz is neither specific repertoire, nor academic exercise... but a way of life.
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To most white people, jazz means black and jazz means dirt, and that's not what I play. I play black classical music.
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The reason New Orleans is still around is because of the celebrations it has inspired since its inception as a city. I'm always excited about the possibility of what might happen. That's what drives us, and I think that's the spirit of New Orleans and the spirit of jazz.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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What about that Dave Brubeck live album, with a version of 'Like Someone in Love' on it, and long sax solos by Paul Desmond? That's what got me hooked on jazz.
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I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.
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I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player.