Character Quotes
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And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.
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There are plenty of actors who've caught the singing bug and vice versa, but with musical performers, you're constantly a persona - which is something I love about acting: you play a character, you leave and you get to be yourself again.
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It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
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The administration of government lies in getting proper men. Such men are to be got by means of the ruler's own character. That character is to be cultivated by his treading in the ways of duty. And the treading those ways of duty is to be cultivated by the cherishing of benevolence.
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Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.
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When I came up with the character of Wicket for 'Return Of The Jedi', which was my first film, I was a kid of 11 years old, and I basically was playing a very young Ewok.
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It's not a character flaw to become an adult.
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I don't see one as bring better or more literate than the other and there's a real buzz to not only writing about a character I love like Superman, but also writing something that kids can enjoy.
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Unless knowledge is transformed into wisdom, and wisdom is expressed in character; education is a wasteful process.
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Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.
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If you can walk into a set and feel the reality of it, then immediately you're not having to work to bring yourself into the character.
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What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.
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I'm really calculating when it comes to these scripts - I'm really calculated about character behavior and dialogue.
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Characters can become boring. That's what's tricky about television. It goes on and on - you're playing this same character for five seasons and it gets easy to fall into just walking on the set and assuming you know how to play a scene.
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In 'The Giver,' I play a character called Jonas who is a member of this community called Changeless. In this community, everyone is kept at bay emotionally and physically. They receive an injection every morning to control them from feeling things like love and pain and all natural emotions.
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I mean it allowed me to do that which was fantastic because we really get to see the character mature and deal with some things that are, that I think as an audience member, really pull us in.
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Interviewing someone is very similar to preparing a character, isn't it? You're just asking questions: 'Who is this person? Why did they make that choice? Why are they doing that?' You're being Sherlock Holmes.
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Paris Singer had vastly more to do with shaping my character than Mother had; although Mother made innumerable sacrifices for me, and Paris Singer made none. I wanted to be like him.
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We still have a strong commitment to our original mission, which is to protect and assist people who are suffering from the impact of violence, but the violence has changed its character, format, and pattern so that we are now responding year after year.
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Television is a lot of fun. It's faster-paced. The schedule is really desirable, I guess. But as far as films go, and I've only done a couple; film is like a definitive beginning, middle and end. You know your character's arch.
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If you look at what we did with 'Winter Soldier' with the Cap character in terms of bringing him into the modern world, trying to ground the movie tonally into something that was a step toward real-world, at least to the degree you can do that in a superhero movie, that's still the tonal universe that we're playing in 'Civil War.'
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Culture is not just an ornament; it is the expression of a nation's character, and at the same time it is a powerful instrument to mould character. The end of culture is right living.
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It is from the blues that all that may be called American music derives its most distinctive character.
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I don't even know who my character is in 'Grey's.'
