Character Quotes
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I suffer from depression and anxiety, and having a show and having a character that portrays a young woman who is dealing with that and the consequences of it - how it affects her friendships and her relationships with her mom and her sister - it's beautiful to see that.
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I think the show is working. I think the character is growing on many levels. I think one thing that we're all discovering is that every season has impacted another, and the character has grown, and the character is allowed to carry with him what he has suffered the year before.
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When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
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I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.
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I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
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I found my niche as a character actor, and I've never felt like a movie star or teen idol and never wanted to.
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I had the sets that meant so much to this character built - right in my home, especially the kitchen, which was important both for her character and for your introduction to her when Albert comes to visit.
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From slavery to segregation, we remember that America did not always live up to its ideals. In fact, we often fell far short of them. But we also learned that fundamental to our national character is the drive to live out the true meaning of our creed.
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First of all, the actor needs to get out of the character's way. You follow the character without judgment or prejudice or preconceived ideas.
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To watch an American on a beach or crowding into a subway, or buying a theater ticket, or sitting at home with his radio on, tells you something about one aspect of the American character: the capacity to withstand a great deal of outside interference, so to speak; a willing acceptance of frenzy which though it's never self-conscious, amounts o a willingness to let other people have and assert their own lively, and even offensive, character. They are a tough race in this.
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Eyes lie if you ever look into them for the character of the person.
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The difference between human heroes and sacred characters lies just in this: the man is just a man, but behind the man of God, God Himself is ever standing greater than the man and overshadowing him by His infinite and glorious presence.
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I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
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I wish the Bald Eagle had not been chosen as the representative of our country; he is a bird of bad moral character; like those among men who live by sharping and robbing, he is generally poor, and often very lousy. The turkey is a much more respectable bird.
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I'm not the same person as the character I do in my songs. She's crazy! The 'Daddy Song' was the first sketch I ever wrote, especially on the guitar and everything - and definitely the most offensive. And absurd.
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Although it is true that by fate all things are forced and linked by a necessary and dominant reason, nevertheless the character of our minds is subject to fate in a manner corresponding to their nature and quality.
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America has always welcomed anyone willing to assimilate to its national character. But radical Islam rejects assimilation and is bent on the conquest of our national character.
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The privilege, and the challenges, of taking on Black Widow have never been lost on me. I worked on the first 'Spiderman' game as well as 'Fantastic Four,' and I had always wanted to be able to tell more of a character-driven comic book story than was possible to fit into a game narrative.
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One of the things an actor tries to access is immediacy, so that you feel like you're experiencing it for the first time. But when you're playing a character who knows what's going to happen and can't stop himself to reacting although he knows he can't stop himself from reacting, there's a whole separate set of things to consider.
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I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.
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I think I am a pretty good judge of character in general and try to surround myself with the best people I can.
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What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
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I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
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There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever.
