Commercial Quotes
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I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
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The very first pharmaceutical commercial I ever heard was 15 seconds of the product and 45 seconds of side effects, so I know that this cannot be good for you.
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I had to learn to do stuff only for myself, and stop thinking about pleasing some imaginary client or boss. It's a habit that many artists get into that have worked in commercial ventures.
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It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.
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There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
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Going forward, new ports and new origins can be added as needed or desired, in designing these contract terms and in working with trade, we've tried wherever possible to ensure that they line up with commercial practice.
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A commercial aircraft is a vehicle capable of supporting itself aerodynamically and economically at the same time.
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As soon as someone else said 'You're good but you should go more commercial' or 'You're good but you should cut your hair' we said 'Oh, all right', and walked out.
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I didn't want to be in a Pepsi commercial with R2-D2 sitting on my shoulder.
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I would like to be part of sensible cinema, irrespective of whether it is a commercial or niche film, but it doesn't always pan out like that.
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All I am looking for is a fine combination of critical and commercial acclaim. Whether conventional or unconventional - does not matter.
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The administration says the American people want tax cuts. Well, duh. The American people also want drive-through nickel beer night. The American people want to lose weight by eating ice cream. The American people love the Home Shopping Network because it's commercial-free.
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Radio is commercial, isn't it. Its a business.
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We're a boring retail and commercial bank.
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I'd like to do interesting indie films mixed with big, high-paying commercial blockbusters. 'One for you, one for me,' is what they say.
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The mantra of the National Commercial Bank is 'building a better Jamaica.' If this bank is going to be everlastingly successful, it has to take on the ailments of this society.
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We've always been the development project that lived in a time pressured setting and always where commercial entities were relying heavily on releases in a certain time frame.
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A lot of time it is hard to break into the commercial world and that has only to do with money and that has nothing to do with being female or male.
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My principal business is giving commercial value to the brilliant - but misdirected - ideas of others.
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For people who want to get into the voiceover industry, even if you want to get into commercial, you need to become a really, really good actor.
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We are a commercial people. We cannot boast of our arts, our crafts, our cultivation; our boast is in the wealth we produce. As a consequence business success is sanctified, and, practically, any methods which achieve it are justified by a larger and larger class.
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When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job.
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I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.
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I've been doing a few interviews since the loss of the SpaceX Dragon on its way to the Space Station. Each one very quickly questions the viability of what they call commercial space in light of the failure. I tell them space is hard: this is what happens early in a program with new technology.
