City Quotes
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I know that the world I converse with in the city and in the farms, is not the world I think. I observe that difference, and shall observe it. One day I shall know the value and law of this discrepance. But I have not found that much was gained by manipular attempts to realize the world of thought.
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On 'City Music', I wanted there to be grit, and I wanted it to be loose, and I wanted there to be mistakes.
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Nashville has become sort of this go-to writing city for every genre.
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I mean, its hard to be an actor in the city - trying to make it as an actor - because you waitress all night, you get home really late and you're super tired and your feet hurt.
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I've been through the process qualifying for the World Cup, which is an amazing, two-year process. It was an honor to represent the U.S. and to represent the city of Los Angeles and California.
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I would absolutely be interested in doing a Broadway production if it was the right project. But my dream is to be writing pieces of theater for my best friends and putting on plays in New York City and seeing our vision come alive. I just hope to always be creating.
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The essence of the conflict today, really, is cars versus people…We can have a city that is very friendly to cars, or a city that is very friendly to people. We cannot have both.
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In Hong Kong there is agglomeration beyond my fondest imaginings. The Kowloon district claims a population density four times that of New York City.
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A city can only be reconstructed in the form of urban quarters. A large or a small city can only be reorganized as a large or a small number of urban quarters; as a federation of autonomous quarters. Each quarter must have its own center, periphery and limit. Each quarter must be a city within a city.
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I have watched patients stand and gaze longingly toward the city they in all likelihood will never enter again. It means liberty and life; it seems so near, and yet heaven is not further from hell.
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Born in England during the First World War, of Belgian parents with partly German roots, I grew up in the cosmopolitan city of Antwerp, where I had the benefit of a classical education taught in the two national languages of Belgium: French and Dutch.
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I love L.A. and feel attached to this city, but I don't identify myself as being a part of it.
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Look up, look up, and let your faith continually increase. Let this faith guide you along the narrow path that leads through the gates of the city into the great beyond, the wide, unbounded future of glory that is for the redeemed.
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When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off; it was a very frightening experience.
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Someone handed me Mexico City Blues in St. Paul Minnesota in 1959 and it blew my mind. It was the first poetry that spoke my own language.
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I feel like Havana has always been such an amazing, cosmopolitan city that it makes sense that a lot of galleries will want to be present.
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Westminster is a piece of this city's energy, something the contemporary world has forgotten.
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I have a concept of Naples that is not so much of a city, per se, but rather an ingredient of the human spirit that I detect in everyone, Neapolitan or not. The idea that 'Neapolitanism' and mass ignorance are somehow indissolubly linked is one that I am prepared to fight with all the strength I have.
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I was a monster. I don't deny it. I wasn't a monster until a few years ago. But you have to be a monster to survive in New York City. New York City doesn't give a damn about violence.
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When we go city by city, country by country, the majority of our hosts, our owners, are simply renting out their spare bedroom.
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But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.
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I come from a very small city in a rather remote part of America, where writers simply weren't part of the daily fabric.
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In a way, 'Sin City's designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
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I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.
