Sound Quotes
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Death is the sound of distant thunder at a picnic.
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I would like to be mates with Richard Branson because I've hung out with him and he is just the loveliest person and obviously a very rich guy and has a lot of stuff going on, but he's actually a really, really sound person, and he's really positive and he's got a really good energy, so I'd like to hang out with him a bit more.
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There is no sound basis upon which it may be assumed that all poor men are godly and all rich men are evil, no more than it could be assumed that all rich men are good and all poor men are bad.
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Not to sound too pessimistic, but I just don't see me having the film career that I maybe hoped for after 'The Birdcage.' I think people just didn't know what to do with me.
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I voted yes for ANWR, and I would support those in other places, environmentally sound.
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That rockabilly sound wasn't as simple as I thought it was.
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I just like feel like this sound feels comfortable and cozy. I’m not anxious about it. I’m more excited to share it rather than anxious about if people will accept it.
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Everyone has said I got my own sound.
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I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.
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I was never much of a singer. I was terrible. It's embarrassing: I was trying to sound like everybody else. I went through a big Cure phase, so I was trying to do that kind of dramatic voice.
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We didn't want a hybrid of the old stuff. The old records were very dense musically. Now there's a trend towards minimalist sound. That's the main thing.
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The energy Major Lazer presents on stage is guided by sound system sessions of years ago.
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Coming from heavy music too, it's really hard to have heavy music not sound too butthead-ish or jock-ish, and there's a fine line between Limp Bizkit and Nirvana - there's a fine line there, and it's terrifying.
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I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
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I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
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The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
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Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
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In order to lift a certain object from the ground, we have to use energy. But then to sustain it at that level, we have to keep on adding energy, or otherwise, the object falls to the ground. It's exactly the same thing with the sound.
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A couple of times he called the second he'd finished reading a novel and just had to tell me about it, and I know it sounds hokey and librarianish to say so, but I just swooned when he did that.
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I'm always anxious in introducing sounds that don't originate with the cello.
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He who is not impressed by sound advice, lacks faith.
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If I play anything that sounds like a solo, it's gonna sound like a lyric.
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As far as I'm concerned, attraction, in its most rudimentary form, comes from the way a person naturally smells. I'd say that within the first five seconds of 'inhaling' someone, I know if there's an attraction or not. This may sound animalistic - and it is.
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I don't really go to clubs so I don't know what sounds are made there.
