Live Quotes
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I live - I live a highly scheduled life. There's absolutely no time wasted. I'm very focused. And I have a great assistant.
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I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that. And it's just anathema to being a writer. It's not healthy.
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I live in New York and it's the greatest city, but sometimes I want to move to the place with the porch and the lemonade and the farm.
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Born Berlin 1931, Germany, father a British diplomat, mother an American artist. Educated at various schools all over the world. 1958 Settled down to live in London. 1966 Became interested in photography through photographing my young children. No formal training.
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Personal power gives you a sense of accomplishment. It enables you to live fully and zestfully. It provides you with a mature reason for liking yourself better. To state it another way, it is the mark of a healthy and well-adjusted individual to seek self-advancement by mastering his human relations.
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Most of us do more than subsist. From the vantage point of our ancestors, we live lives of almost unimaginable ease. Here again, we have innovation to thank.
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To me the earth's most explosive and pernicious evil is racism, the inability of God's creatures to live as One, especially in the Western world.
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Live performances always feel like such a moment with all of the costumes and theatrics.
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He doesn't belong to a race clever enough to split the atom but not clever enough to live at peace with itself.
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More and more, I find myself turning away from everything relating to contemporary society. I don't know how healthy it is, but I am creating a very private bubble that I live in.
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The naked mole is, like, the ugliest freakin' creature in the world. It is so radically, unbelievably disgusting. And the star-nosed mole is also. It looks like it snorted a firecracker. They live way underground, and to get footage of them is basically impossible.
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The right to live does not connote the right of each man to reproduce his kind ... As we lessen the stringency of natural selection, and more and more of the weaklings and the unfit survive, we must increase the standard, mental and physical, of parentage.
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The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.
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Painting is about the world that we live in. Black men live in the world. My choice is to include them.
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If we do everything right, the best we can do is live out our potential with as little age-related disease and disability as possible.
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
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Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
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I moved to Milan when I was 15. I was always looking for something; I never really felt like I belonged where I was, so I went to live overseas.
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It is never my custom to use words lightly. If twenty-seven years in prison have done anything to us, it was to use the silence of solitude to make us understand how precious words are and how real speech is in its impact on the way people live and die.
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We make war that we may live in peace.
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We must all learn a good lesson - how to live together. That is the new challenge of the new world... learning to co-exist and not co-annihilate.
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If you ask me what I came into this life to do, I will tell you: I came to live out loud.
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Emir said: 'This way everyone lives in a body of a kind for a while, and then leaves its body behind so that it can be remade for someone else. That's a very simple explanation, but it will do for now. Then all new life has a chance to live, and lots of room. Then we each take turns, so we can come back on new bodies when there's room available.
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Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
