Aesthetic Quotes
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My parents' marriage was, on an aesthetic level, very pleasing to behold.
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Art as an aesthetic principle was supported by thousands of years of discernment and psychic rewards, but art as a commodity was held up by air. The loss of confidence that affected banks and financial instruments was not affecting cherubs, cupids and flattened popes. The objects hadn't changed: what was there before was there after. But a vacancy was created with the clamoring crowds deserted and retrenched.
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I'm not a super prolific creator, I don't make stuff everyday, and I don't have a soundtrack constantly playing in my head. I think I had years and years of pent-up aesthetic ideas that I wanted to express.
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I do feel like the blogs that I follow share an aesthetic and draw a lot from '90s influences.
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Scientific pictures are often not just about science. They may... have an undeniable aesthetic quality. They may even have been primarily works of art that possess a scientific message.
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An intellectual is going to have doubts, for example, about a fundamentalist religious doctrine that admits no doubt, about an imposed political system that allows no doubt, about a perfect aesthetic that has no room for doubt.
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Although I was born in Idaho and now live in New York, I definitely identify with the European aesthetic. Paris is my mecca; it's where I discovered my flair for fashion. But I pay rent and work in New York, so that is my home - I love the culture clash of the city.
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It's been fun for me to figure out what I am in the world of fashion. I pull more now from my hometown, the aesthetic of the mountains and Arizona and the old western, vintage kind of vibe mixed with a sort of California bohemia.
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I don't need to be so full of myself that I feel I am without flaw. I can feel beautiful and imperfect at the same time. I have a healthy relationship with my aesthetic insecurities.
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It is a grand book worthy of one’s hopes of you. A most powerful piece of well organized analysis with high aesthetic qualities, though written more perhaps than you see yourself for the cognoscenti in the temple and not for those at the gate. Anyhow I prefer it for intellectual enjoyment to any recent attempts in this vein.
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A part of sexuality may go to research, and a much larger part must lead to aesthetic creation. The art of the future will, because of the very opportunities and materials it will have at its command, need an infinitely stronger formative impulse than it does now.
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My biggest thing is to teach not to focus on the aesthetic. It's really about who you are, and the human being, that makes you beautiful.
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Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.
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I want big ideas to have aesthetic relevance. I want to tickle people's intellectual sensibilities and instill a sense of wonder.
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I hate that aesthetic game of the eye and the mind, played by these connoisseurs, these mandarins who "appreciate" beauty. What is beauty, anyway? There's no such thing. I never "appreciate," any more than I "like." I love it or I hate.
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The most intelligent hearers are those who enjoy most heartily the simplest preaching. It is not they who clamor for superlatively intellectual or aesthetic sermons. Daniel Webster used to complain of some of the preaching to which he listened. "In the house of God" he wanted to meditate "upon the simple varieties, and the undoubted facts of religion;" not upon mysteries and abstractions.
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I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
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I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
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The forms of art are inexhaustible; but all lead by the same road of aesthetic emotion to the same world of aesthetic ecstasy.
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I always like that sort of tomboy aesthetic.
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I like anything with my face on it, just from an aesthetic point of view.
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My ideal is a book that is perfect on every page, that gives you tremendous aesthetic joy on every page. I suppose I am trying to write such a book.
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Ellison was prominent on the lecture circuit even in the Black Aesthetic days of the Sixties when his defiantly pro-American and prickly-proud intellectual act met with some hostility.
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I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
