People asked me why I quit and it was because the imagery I was using became pervasive. That’s not why I did them. I did it because that was the way the world was going. Part of the American way of painting was industrial. I never was comfortable with illustration; I was interested in the way paintings were made.
Your parents were always trying to get you to be careful when you were a kid, and that's all pervasive in this society.
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