Experience Quotes
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I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.
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I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.
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Speaking from experience, because I have three daughters, I think it's always important to give your daughter the confidence that she needs so that she won't look elsewhere for approval and feeling love and acceptance.
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I built a relationship and a rapport with Muhammad Ali, and I could never top that experience.
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I think polo players are at their best in their 30s. You've got the talent and the experience. You play with your head - you learn to lose and how to win.
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There are some beautiful books out there. But the ones that leave me cold are the ones where I feel - it's that postmodern thing - it's more experimentation with language than it is a deep compassionate falling into another human being's experience.
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The whole character of Justin and the club life he lives - I have no experience with it. It's really foreign to me, which is annoying, but that's just how it is.
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I always see the absurdity in most situations. It's my experience of how life works.
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I started writing my first book for young people when I was in college. I was only a couple of years out of my teens when I began; I felt closer to that experience than I did as an adult. But I've always been drawn to stories about young people.
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It's widely assumed that you can't compete with free, and that seems like a reasonable thing to think. But this has not been my experience.
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Meeting Helen Mirren was a fabulous experience. I had played it out in my mind, how I should greet her when we would be introduced. But the way we met was funny because I just didn't recognise her!
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I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.
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I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
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For my career, I want to be able to do projects that have serious context to them or that make me grow as a person and an artist after the experience.
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I'm a journeyman actor. My experience as a journeyman actor is that you have to go where the work is. I've never been the lead; I've never been in that position.
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For years, I did whatever I could just to pay the bills and gain experience and work with as many different people as I could.
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I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.
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There are aspects of Asian culture in my work, but it's really rooted in an American experience - transcendentalism, '60s counterculture, punk rock.
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I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.
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The Long Island experience is so strange. You're a satellite around the city, so the presence of the city is always looming.
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Grief is exhausting. When you learn - maybe through my age or experience - trying to harness the energy, whatever it is, muted energy or a concentration to find yourself in a place? You try to use it for when it's really necessary and can arrive.
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The world can only appear monochromatic to those who persist in interpreting what they experience through the lens of a single cultural paradigm, their own. For those with the eyes to see and the heart to feel, it remains a rich and complex topography of the spirit.
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Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
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I'm grateful for the experiences I've accumulated. Of course, there are certain things you wish were not on anyone's list of life experiences, but it's a life. It's a good life. And I like what's there.