Chicago Quotes
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I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
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For some Chicago expats, food is the medicine that blunts the pain of separation.
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Seventeen seconds from game seven or from championship number six. Jordan...open...CHICAGO WITH THE LEAD!
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I moved from Chicago to New York in 1984 for 'Biloxi Blues.' In 1989, my wife and our then-baby daughter moved to Los Angeles to try to get in television.
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The cooperation of government at its different levels is important and can only be achieved as long as the people of Chicago are directly involved in our efforts and supportive of our goals.
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Chicago is highly segregated, a fact that both causes and compounds the problems we face in bringing an end to violence.
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Chicago fans cheer and boo who they want. They're great fans whether they like me or not. They show you how they feel. I don't like crowds that sit on their hands.
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I've always been a dog owner, from the time I was a little boy in Chicago.
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I did Chicago on Broadway the year before last. That was a great opportunity and I had a blast.
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On boxing For The Chicago Code, I did some boxing. It makes you stand differently when you know you can punch someone out.
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Despite my express wish, I was not left in Chicago, but taken to Paris to live, and I did not see my father for many years. But we never stopped loving each other, and in 1940 he died in my arms in Hollywood, where he had come to be near me at the end.
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When I got started, I was a sideshow. At my first Consumer Electronics Show, in 1977 in Chicago, people came from all over the floor to see the 'lady programmer.' They had me dressed in a turquoise lab coat with my name embroidered on the pocket.
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I grew up in Batavia, Ill., a small town out in the corn fields, west of Chicago. It was boring.
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Improv changed my life in the best way. I gained so much confidence and really learned how to use my sense of humor to do something other than make sarcastic comments to the TV, though that remains one of my best skills. I stayed in Chicago for college mainly to continue doing improv, which was an awesome decision for me.
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At Chicago Hope they have a technical staff that works real hard to make that O.R. as realistic as possible.
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I just know that I could never spend a winter in Chicago or some place like that. I'm just not a cold weather person.
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I came from the South Side of Chicago wanting to be a rap artist and make videos.
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You know what I'd really like to do? I'd like to record some white Chicago jazz.
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Back in Chicago, all we cared about was rock 'n' roll and staying out of the army.
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I think Chicago people are very special people, and the Midwest's confluence of East Coast-meets-Midwest sensibilities had to, on a formative level, inform me as an artist and an actor. In that sense, it had to have helped me.
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Chicago has a burly, action-oriented but still self-assured and relaxed confidence to its stride. The city has a lot of wide-open space and all the possibilities that suggests. There's a lot of horizontal grandeur here.
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When I got to Chicago I had to find my way.
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I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.
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I have seen, the desperation and disorder of the powerless: how it twists the lives of children on the streets of Jakarta or Nairobi in much the same way as it does the lives of children on Chicago 's South Side.
