Pottery Quotes
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Having a little fun at my work does not make me any less of an artist and people who appreciate truly beautiful and original creations in pottery are not frightened by innocent tomfoolery!
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Bernard Leach had acquired many Shoji Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.
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And as far as I know about Alix's MacKenzie work, I don't believe she ever did any sculptural work at all. It was always pottery.
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Every day we'd trudge up the hill - it was a three-quarter-mile walk up this steep hill to the Leach Pottery, and we would take our lunch with us and generally, I guess, make a nuisance of ourselves.
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American archaeology has always attracted lots of amateurs ... They were digging up Indian pottery all over the place.
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I do pottery. I love it. It's very relaxing; it takes me to another planet.
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We got a great benefit from our contact with those people Lucie Rie, Hans Coper, Richard Batram and met people that we wouldn't have probably met if we had simply worked at the pottery.
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It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who had come from Japan back to England with Bernard Leach when Leach was establishing his pottery.
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In searching for further training we turned to England and Bernard Leach. We thought since we had responded to his book so strongly that this would be the sort of training that we would like to have. We saved money, during the summer went to Europe, and the first stop was to go to England, visit the Leach Pottery and ask Leach if he would take us on as apprentices.
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When we worked at the pottery, we did learn to make pots, that is, the physical act of making the pot. We learned to control clay, to put it where you want it and not just wherever it wanted to go, and that was valuable. At the end of about six months, though, I think if that was all we had, we may have been inclined to leave because the workshop did not challenge us so much as living with Bernard Leach did.
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We moved up here to St.Paul with my wife and started to teach, we very quickly found out we were not equipped either to teach or to run our own pottery, and so we decided that we had to have further training.