Canvas Quotes
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You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
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I want to shape the TV screen canvas
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But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
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Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn't touch the surface on the canvas, it's just above.. ..so I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
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Harry can paint but I can't. He has our father's talent while I, on the other hand, am about the biggest idiot on a piece of canvas. I did do a couple of drawings at Eton which were put on display. Teachers thought they were examples of modern art, but in fact, I was just trying to paint a house!
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As a creative person, you want to start with a blank canvas.
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Frank Stella is not interested in expression or sensitivity. He is interested in the necessity of painting.. .His stripes are the paths of brush on canvas. These path leads only into painting.
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I always tell the younger film-makers and students: Do it like the painters used to...Study the old masters. Enrich your palette. Expand the canvas. There's always so much more to learn.
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I tell myself that anyone who says he has finished a canvas is terribly arrogant. Finished means complete, perfect, and I toil away without making any progress, searching, fumbling around, without achieving anything much.
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I remember the noise of the bells ringing at school as the effigy of Guy Fawkes we'd prepared earlier was carried out on a canvas stretcher, hoisted on to the huge bonfire and set alight. Then the revelry would begin. My school friends and I would all have sparklers we passed around, lighting one from another.
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Life is a great big canvas; throw all the paint you can at it.
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You wind up creating from silence, like painting a picture on a blank canvas that could bring tears to somebody's eyes. As songwriters, our blank canvas is silence. Then we write a song from an idea that can change somebody's life. Songwriting is the closest thing to magic that we could ever experience. That's why I love songwriting.
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An epic is the canvas Brian DePalma paints on.
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Launch your vessel, And crowd your canvas, And, ere it vanishes Over the margin, After it, follow it, FollowThe Gleam.
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An empty canvas is a living wonder... far lovelier than certain pictures.
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I've had a period of drawing on canvas in black – with some of my early images coming thru -, think the non-objectivists will find them disturbing – and the kids who think it simple to splash a 'Pollock' out.
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Moonlight on canvas, midnight and wine,Two shadows starting to softly combine.The picture they're paintingIs one of the heart;And to those who have seen it,It's a true work of art.Oh, the red strokes,Passions uncaged;Thundering moments of tenderness rage.Oh, the red strokes,Tempered and strong (Fearlessly drawn),Burning the night like the dawn.
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But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
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In 2008 all the stars aligned perfectly for Obama's 6-point victory over John McCain. He was an inexperienced, untested neophyte, and successfully convinced enough voters to paint their own version of what hope-and-change was all about on the blank canvas he provided.
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to Mondrian: Maybe you should take all these red, yellow and blue elements off the canvas and let them hang in the air, so they can move. Mondrian reacted: 'Well, I think my paintings are fast enough already..'
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The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also.
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When you think of painting as painting it is rather absurd. The real world is before us - glorious sunlight and activity and fresh air, and high speed motor cars and television, all the animation - a world apart from a little square of canvas that you smear paint on.
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I look at a nude. There are myriads of tiny tints. I must find the ones that will make the flesh on my canvas live and quiver.
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My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? 'Tempest o'er tempest roll'd' - still the 'darkness' is majestic.
