Real Quotes
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I love Jennifer Aniston and Courteney Cox's real-life relationship.
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I think you have to learn that there's a company behind every stock, and that there's only one real reason why stocks go up. Companies go from doing poorly to doing well or small companies grow to large companies.
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Those who advocate devaluation are calling for a reduction in the wage levels and the real wage standards of every member of the working class.
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The real purpose of books is to trap the mind into doing its own thinking.
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I always like to write where I'm at in real life into whatever I'm working on.
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As an artist, one doesn't know what is real. And so there's a search and a process of trying to locate something that feels or appears or somehow resonates with us on a deeper level. This is why art is such an interesting business to be in.
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I always speak the truth. Not the whole truth, because there's no way, to say it all. Saying it all is literally impossible: words fail. Yet it's through this very impossibility that the truth holds onto the real.
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I definitely hand myself over to the hair and makeup gods of 'Girls.' Our look on the show is very specific, and it's different from mine in real life, although I've definitely learned things from working with both the hair and makeup people for the show.
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The 1973 team is real special. I had never coached against Bear Bryant. Alabama had never played Notre Dame. It was North against South; the Catholics against the Baptists; both teams were undefeated, and everything was on the line.
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I never had any question that my parents loved me. I had a real sense of self confidence.
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I took more swings than usual. I've had this before. This is what you get when you overdo it too early. It's just real tight. It will be fine.
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Being the everyman in the writing room helps a lot: you have to be a real collaborator and selfless, and not have ego when you walk in there. That's the antithesis of the artist mentality.
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Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
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If every day a man takes orders in silence from an incompetent superior, if every day he solemnly performs ritual acts which he privately finds ridiculous, if he unhesitatingly gives answers to questionnaires which are contrary to his real opinions and is prepared to deny his own self in public, if he sees no difficulty in feigning sympathy or even affection where, in fact, he feels only indifference or aversion, it still does not mean that he has entirely lost the use of one of the basic human senses, namely, the sense of humiliation.
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Karma is only in space time and causality. Your real self resides non-locally.
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What a terrible mistake to let go of something wonderful for something real.
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Celebrity culture has gone crazy, and I think the reason is that real news is just not bearable, and it also seems impossible to change anything.
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Y'know, the real reason why I was such a failure in the sense of being unable to make any sort of a living was because I was really not motivated. I had no motivation.
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We have never seen health as a right. It has been conceived as a privilege, available only to those who can afford it. This is the real reason the American health care system is in such a scandalous state.
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You have to pay a lot of attention to what's important, what's permanent, what's real.
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Real Democrats don't abandon the middle class.
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Real-life people are often the hardest to play, people that you recreate who have actually lived, because you have to live up to people's knowledge of those characters.
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Math just wasn't my favorite. I didn't get how important math is and how it relates to real life. That's why I think I was turned off to it. Once I got down arithmetic and a little bit of algebra, I think I checked out. As I've gotten older, I think there's a lot more relation to math. English was my favorite subject.
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I usually tried to stay in the net for 45 minutes, half an hour longer than most batsmen would stick at the county nets. There was a reason for this so-called gluttony of practice: it was a conscious effort to make myself concentrate for long periods of time in circumstances as close to the real thing as I could make them.
