Imagery Quotes
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I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.
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Who can now deny the loss of natural light, of skin tones, of real place, and common but precious things in our movies, to be replaced by the gorgeous imagery of things that have never been and never will be? The most special effect in movies is always the human face when its mind is being changed.
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I like having that juxtaposition where you can have a very triumphant sounding song and then throw in all this crazy imagery. That's part of the fun of writing, you know?
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There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.
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...I use primal imagery, so maybe it's fitting that I use the most primitive of cameras pinhole cameras. Since there's no viewfinder, the image is much more of a surprise - as if some outsider came and looked at earth for the first time.
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I think I make better use of language and imagery than when I started out.
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We can produce imagery to share the beauty of the oceans and what is there to protect. We can also expose the truths about overharvest, climate change, and habitat loss to give oceans a voice.
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I've been attracted to imagery and occasionally I've drawn from it, but I never thought I'd be painting these paintings. I didn't have any desire to. I didn't think there was any reason to.
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Speech is like cloth of Arras opened and put abroad, whereby the imagery doth appear in figure; whereas in thoughts they lie but as packs.
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My work, in a certain way, got started in 1996 when I did an exhibition of thirteen paintings that were solely based on fashion imagery.
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The imagery is very much released from reality. It's not nailed down to specifics of the words. They're painting a picture, not telling linear stories.
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Music and art are two very different activities for me. However, the use of imagery links them, and invention is important for both.
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Literally, the Bible is a gigantic myth, a narrative extending over the whole of time from creation to apocalypse, unified by a body of recurring imagery that "freezes" into a single metaphor cluster, the metaphors all being identified with the body of the Messiah, the man who is all men, the totality logoi who is one Logos, the grain of sand that is the world.
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So fashion was, in a way, an accident. But this world opens you up to a lot of different avenues that interested me. I loved the idea of working in different countries. And I loved the idea of construction and working with imagery. But, yes, I fell into fashion a bit by mistake.
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Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.
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I don't really need to be inspired by literature though. At the end of the day it's colour and imagery moved around until it works.
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I saw Ben Stiller's movie Walter Mitty 2013; it's very beautiful. You look at some of the movies John Ford did with John Wayne and Jimmy Stewart, and then look at Remington and Ansel Adams, and I think you see a connection, certainly in the imagery of the West.
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...compelling outdoor imagery always combines some kind of personal connection to nature and skillful technique. The former seems to be a form of grace, and the latter an act of the will.
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I am not the avant-garde. I am the artist who comes after the advancing guard. I am more concerned with continuity of ideas and tradition than in inventing a unique imagery.
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I prefer not to overthink things because I think if I did I would never end up releasing anything. I tend to just follow my instincts when it comes to imagery or whatever is inspiring me. I just fit it together in a weird way, and I have to let it go at some point or else I would hold onto it forever.
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I expect of abstraction as much as what imagery does for me... to carry meaning.
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A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
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Imagery is like music.
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I’m very interested in sublimation. I love the way Francis Bacon talked about the grin without the cat, the sensation without the boredom of its conveyance… I’ve always wanted to be able to convey figurative imagery in a kind of shorthand, to get it across in as direct a way as possible. I want there to be a human presence without having to depict it in full.
