Trying Quotes
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I like that people are still trying to guess what kind of music I'm making.
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When I was a teenager I would lock myself in the bathroom for hours, bouffanting my hair like Patty Duke and trying to recreate Barbra Streisand's flawless eyeliner, only to comb it all out and wash it all off before stepping out into the world a butchish bisexual teen.
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I was looking for a new challenge and got an interest in trying to make a difference for families. You become more aware of how important families are. They are the key institution in our culture. The reason I got into politics was to try to make a difference for that key institution, whether it was tax policy, education policy, or whatever.
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I figured out that my passion is not really for music. My passion is actually for people. So the exploration into different musics of different times has to do with trying to figure out who these people are, what this music represents and what context do we want to give it and what does it mean to us right now.
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I'm not just a doormat. I'm not just being stepped on all over the place. If you look at the bulk of my material, it's about trying to find some strength through that.
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If you develop a product that gets what the customer is trying to get done, you don't have to advertise; people will just pull it into their lives.
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I'm trying to be truthful.
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As a conscious rap artist, you should not want to be in a gangster market. You should be trying to establish your own market, create a place where you can be yourself and make some money and feed your family.
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I'm trying to just go with the flow and learn from the people around me.
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She didn't say a work, and I gave up trying, because you couldn't hear either one of us over the shattering noise of hearts breaking and the looming shadow of the last word, the one we refused to say.
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Try to keep them, poet, those erotic visions of yours, however few of them there are that can be stilled. Put them, half-hidden, in your lines.
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Hunter Thompson wasn't Joseph Conrad, Jimmy Carter wasn't Harry Trueman. But strangely, Richard Nixon was Richard Nixon. I'm no Pablo Picasso but there's no harm in straining. After all, the charm of any activity is in the trying and so rarely in the finished article.
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I find it's only when something is trying to come through I really practice. And then, I don't know how many hours. It's all day.
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A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
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On top of trying to find my way in this business and losing my mother and trying to figure out what family meant to me and everything - 2016, there was a lot of anger from me and a lot of anger all around. I think the hardest part was to really realize that all these things, it's worth it.
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When you take a genre that is this entrenched and become the worldwide standard for how a news program is done and you start looking at alternative ways to do it, it's a challenging process, ... You have a core audience that is used to things a certain way that you don't want to alienate, but you also want to attract a new audience. We're trying to balance those two things.
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I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
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I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
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All fiction for me is a kind of magic and trickery, a confidence trick, trying to make people believe something is true that isn't.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
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After all, we are not promoting welfare. We are promoting work. We are not pushing for more entitlement programs. We are pushing for more enterprise. We are not trying re-distribute existing wealth.
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I was pleasantly surprised with 'Salvage.' I went to Australia and New Zealand for the novel and met a lot of people who had experienced the earthquakes in Christchurch. They responded very strongly to the book because they had been through these natural disasters and were trying to figure out how to rebuild.
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I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound.
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I want to be the voice of the people; black, white, everyday, oppressed people. A person trying to make it and to do it right.
