Fashion Quotes
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I've been taking photographs since I was a teenager, and fashion has taught me a lot more about photography. It's definitely inspired me.
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Gary Numan had a huge influence on both my music and my style. He had his own unique fashion sense - that futuristic space style. It was out there.
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Just because you work in the fashion industry, it doesn't mean you live your life in fashion.
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I thrive with fashion and shopping and imports and things like that. It gives me a rush. I love Barneys New York and Neiman Marcus and all the top-of-the-line houses.
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Britain has the most creative, dynamic and nimble fashion industry in the world.
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My fashion sense is relatable but stands out because it's my own.
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Most of my ideas come from drawing patterns across conversations I have with different types of people - technology investors, young fashion design students, a CEO. This variety is stimulating and offers many different perspectives on the things I am thinking about.
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The fashion industry certainly has its obscene sides. The cost of a coat can be obscene. So can the cost of a photo shoot if you're working with a really good photographer.
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I'm always about optimism and exuberance. It's what I feel about fashion.
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Fashion is silly. Perhaps I should say fashion in general is silly. But then everything is, in general. If you talk about music in general, it's silly; about magazines, in general, they're silly.
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I would like to be a one-man multinational fashion phenomenon.
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I decided to do everything around fashion but fashion itself, and that's accessories.
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I've been making a diary of the daft things people have said during London Fashion Week, and it does wear a little bit thin, everyone comparing my name to Edie Sedgwick.
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Neither of my parents are involved in theater or acting, but they are very artistic. My mom is a painter; she's an artist. She went to school for fashion illustration. My father is into collecting antiques and fine wine, so they're both really creative people.
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Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
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I'm really tired, incredibly tired of hearing people say that fashion is behind anorexia.
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People think I'm trying to make a fashion statement because I never wear a bra. It's really that I'm a tomboy at heart.
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Modelling, fashion and film have all encouraged me to learn more about issues and to feel empowered enough to do something about them.
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As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
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I hate going to fashion shows. I find them boring.
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It is plain indeed that in spite of later estrangement Hobbits are relatives of ours: far nearer to us than Elves, or even than Dwarves. Of old they spoke the languages of Men, after their own fashion, and liked and disliked much the same things as Men did. But what exactly our relationship is can no longer be discovered.
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In America, they never make anything without first having a market survey to ask the public what they want. People only ask for things they already know about, so you don't get anything new that way. That's why American fashion is stuck.
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In the first half of the 20th century, fashion was simply not a very English thing to do.
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So many people are following fashion now. It's become fashion-tainment.
