Color Quotes
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I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.
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I advise students on the subject of color as follows: If it looks good enough to eat, use it.
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I loved downers, almost any kind. Loved the colors of them. Loved them yellow... I did. I would just have a bouquet in my hands at night.
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I have a Viking stove. The color is butter lemon, and I had to wait several months for it, because that color wasn't available and I really wanted butter lemon! But I don't know that it's seriously ever been cooked on. I mean, I make tea every morning. Does that count?
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Humanism is not alive and well in Texas. Different colors and types of Texans do not like one another, nor do they pretend to.
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Well, after all, this is the age of the disposable tissue. Blow your nose on a person, wad them, flush them away, reach for another, blow, wad, flush. Everyone using everyone else's coattails. How are you supposed to root for the home team when you don't even have a program or know the names? For that matter, what color jersey's are they reading as they trot out to the feild?
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I'm passionately involved in life: I love its change, its color, its movement. To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle.
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Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?
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The painter of the future will be a colorist unlike anything yet.
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The color of a person's skin had nothing to do with the content of their character.
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I'll stop wearing black when they invent a darker color.
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I try to think and design in color.
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To divide is to seek the power and harmony of color, through representing colored light by pure elements, and through employing the optical mixture of these pure elements, separated and proportioned according to the essential laws of contrast and graduation.
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I've never bothered about my color.
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Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both:---touch and touch of that which is the citadel of the central I-Am's private own: not spirit, soul; the liquorish and ungirdled mind is anyone's to take in any any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too.
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Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point.
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Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.
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People will do terrific things in it, and it’s maybe better for color now. But I’m not interested in the way this work looks. So much is changed—veracity is lost. The quality of witness is compromised.
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I am an artist, art has no color and no sex.
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Color has got me. I no longer need to chase after it. It has got me for ever. I know it. That is the meaning of this happy hour.
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In your reading, find books to improve your color sense, your sense of shape and size in the world.
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Don't make each room a different color in a small apartment or you'll make yourself nervous.
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What I need most of all is color, always, always.
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It's a darker season. A lot of dark color.
