Classical Quotes
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I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.
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Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.
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I love gentle, gorgeous classical music such as Mozart.
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I'm not going to choose between classical, Broadway or pop. I would love to stay where I am now - a mix of everything.
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I grew up playing classical guitar, so everything I learned was rooted in technique, form, presentation.
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I am a classical music lover - not necessarily the contemporary stuff, but the old stuff.
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I love classical. I have a lot of, like, Bach and Mozart and stuff. Then you flip on over, and I've got, like, Kanye West and, you know, just a bunch of - I am very eclectic. I love every sort of music.
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I love... different kinds of music. I like classical music and pop music. I like alternative, and I like rap, hip-hop, and I kind of collected all these things that I love, and they infused my sensibilities, and I just wanted to sing because it felt like it needed to come out of me.
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If it comes out sounding like Dixieland jazz or classical or punk or rock or even slightly metal, that's because that's where I'm going to find inspiration.
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I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.
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I loved Queen, Journey, Fleetwood Mac, and people like Barbara Streisand. The thing with me is that classical music was also an inspiration. I took piano lessons at the Royal Conservatory of Brussels for 10 years.
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When we started the band, it was a classical group.
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I think music gives so much inspiration. I listen to all kinds of music: pop, hip-hop, everything. I also love classical music.
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'The Shining' is operatic and sensational and... really shocking. It has this amazing meld of classical music and modern interpretations of classical music, and incredible imagery. From the set design to the costumes, there's so much to unpack.
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I started playing heavy-metal guitar because that's what I liked. And then I got into classical guitar because it was so technically complicated.
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We have always played classical music and always loved dance and pop music.
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Wherever and whenever I sing, if there is only one spiritual on a program, people will talk about two things afterward, and one of them will be the spiritual. What I bring to this is the best of my classical training - not all of it. I apply what is appropriate.
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With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.
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I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
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Cities are about juxtaposition. In Florence, classical buildings sit against medieval buildings. It's that contrast we like. In Bordeaux, we built law courts right next door to what is effectively a listed historic building, and that makes it exciting.
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People have always thought of me as someone who's very classical, when in fact I've led a rather unconventional life.
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Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
