Christian Louboutin Quotes
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
Quotes to Explore
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In general, I find that for videos the acting is more realistic.
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I'm as radical as libertarians come.
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Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
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My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
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This is what people need: an easy-to-deploy, easy-to-use tool.
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I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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The two most common elements in the universe are hydrogen and stupidity.
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I have this really high priority on happiness and finding something to be happy about.
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I have always considered it as treason against the great republic of human nature, to make any man's virtues the means of deceiving him.
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It has always been a dream of mine to put a play on film.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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Many men start being friendly with women because they are trying to seduce them. I'm not trying to seduce them. I just like hanging out with them.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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Let me tell you, my career went from zero to 900. Its hard keeping up with that pace, but I wouldn't trade it for anything else in the world.
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Of course, I grew up hearing Latin music but, to be honest, aside from my personal circumstances, like most kids I wanted to rebel against what I considered to be such old fashioned fare.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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Ultimately life is disease, death and oblivion. It's still better than high school.
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Men make the moral code and they expect women to accept it. They have decided that it is entirely right and proper for men to fight for their liberties and their rights, but that it is not right and proper for women to fight for theirs.
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The Greek debt issue, for example, is such a threat because if that country ever defaulted, it might cause some bank that's 'too big to fail' to actually fail.
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We want 'Doll & Em' to be something we're proud of. We'd love to do another series, but it's not the be-all and end-all. Our friendship is the be-all and end-all.
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We're always trying to do something better than the last record; to do something different and evolve as a band.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
