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The Internet opens up so many doors. It's a phenomenal tool for education but also a way for people to be scary and dangerous. We're living in a world where we can be hacked and exposed.
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Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
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How do I feel about being a star now? Well I still try to live life and enjoy what I am doing.
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I try to stay away from the craft services table on set! That's probably why I am able to still get work in this business: I stay away from junk food.
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If you can help guide somebody through a challenging moment because you've been there, that ends up becoming a great gift.
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I'm not a religious person by any means. But I certainly believe in some kind of a higher power and something looking out for me. I've definitely had angels that have either guided me or helped me through moments in my life, without a doubt.
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If I'm backed into a corner, the first thing that comes to mind is the robot from Forbidden Planet. But that could be me trying to be kitschy, cool, and cultural, because the real answer is R2D2.
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This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.
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Jail was a result of me not taking time for myself. So I was forced to take some time for myself.
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I am a gypsy, in a way. It's a condition of my profession.
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I've always been fond of Winona Ryder.
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Theater was definitely part of my roots. My father would take me to plays, and then my mother was always on the lookout for other talent and taking me to see plays. I saw Frank Langella in 'Dracula'... Great, great performances. I was a theater rat, hanging out backstage.
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My mother became a casting director, and she cast me in a soap opera called 'One Life to Live.' I was, like, 8 years old, playing a kid who had hurt himself on a skateboard. I had, like, three lines. I did the lines, and everybody in the studio applauded - I was immediately hooked after that. I was like, 'This is the life for me.'
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Having kids certainly gets me to ask the question, 'Who is the adult here, and who is the kid?'
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Strike and struggle precede success, even in the dictionary.
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It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.
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If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?
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I enjoy the process of TV; I like the pace of it; I like the continual work.
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When I'm in the kitchen, I don't want anybody else in the kitchen. I have a system - and the system, it's another form of insanity that has grabbed me.
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I'm certainly grateful that there were projects that I did that people responded to. It would be a nightmare if it were the other way around. But it's sometimes a little disheartening.
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Success can be a very difficult thing to deal with.
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Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.
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I was a shy, quiet kid. I was happiest playing by myself with my toys, rather than hanging around people.
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It's great, getting the scripts and working with somebody like Sam Esmail, who is such a great leader.