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It's always a leap of faith when you get involved with somebody.
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Some of the characters that I played as a kid were rebellious teenagers, and people would see those performances and project a particular image onto me. And 90 percent of the time, I would do everything I could to live up to that sort of image and be that individual.
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Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.
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I try to stay away from the craft services table on set! That's probably why I am able to still get work in this business: I stay away from junk food.
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I'm not a religious person by any means. But I certainly believe in some kind of a higher power and something looking out for me. I've definitely had angels that have either guided me or helped me through moments in my life, without a doubt.
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I'm certainly grateful that there were projects that I did that people responded to. It would be a nightmare if it were the other way around. But it's sometimes a little disheartening.
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Having kids certainly gets me to ask the question, 'Who is the adult here, and who is the kid?'
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If I'm backed into a corner, the first thing that comes to mind is the robot from Forbidden Planet. But that could be me trying to be kitschy, cool, and cultural, because the real answer is R2D2.
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If you can help guide somebody through a challenging moment because you've been there, that ends up becoming a great gift.
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Jail was a result of me not taking time for myself. So I was forced to take some time for myself.
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This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.
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I am a gypsy, in a way. It's a condition of my profession.
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If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?
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My mother became a casting director, and she cast me in a soap opera called 'One Life to Live.' I was, like, 8 years old, playing a kid who had hurt himself on a skateboard. I had, like, three lines. I did the lines, and everybody in the studio applauded - I was immediately hooked after that. I was like, 'This is the life for me.'
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There was a time when I felt I should do everything that was offered to me, you know, ride the wave.
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Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.
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I was a shy, quiet kid. I was happiest playing by myself with my toys, rather than hanging around people.
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Theater was definitely part of my roots. My father would take me to plays, and then my mother was always on the lookout for other talent and taking me to see plays. I saw Frank Langella in 'Dracula'... Great, great performances. I was a theater rat, hanging out backstage.
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I enjoy the process of TV; I like the pace of it; I like the continual work.
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It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.
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When I'm in the kitchen, I don't want anybody else in the kitchen. I have a system - and the system, it's another form of insanity that has grabbed me.
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I've always been fond of Winona Ryder.
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Strike and struggle precede success, even in the dictionary.
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I have that glass-half-empty syndrome, and it takes a great deal of effort to climb out of the hole of darkness that I choose to live in mentally.