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I have brought a PS2 on set with me before. But games can be really addicting, and that's dangerous. So I tend to keep it fairly limited on a certain level.
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'Heathers' was probably the first time when I started to notice that people were opening doors for me and giving me tables at restaurants, regardless of what I was wearing. A whole world opened up to me that was shocking and weird and different, and I enjoyed it, and, you know, I took great advantage of it at times.
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I don't think of myself as offbeat and weird. As a kid, I saw myself as the type of guy who would run into a burning building to save the baby.
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It's very, very difficult because we're living in a world where they invent things in order to hide things from parents. There are these secret creator app guys who make things to intentionally do that, to keep your parents in the dark, and you've really got to work extra-hard to stay on top of it.
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I took a lot of time off after Mobsters and although I did something I had never done before, which was to direct a play, The Laughter Epidemic, it felt like a vacation.
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'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.
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As you get older you learn some balance and mediation in your life - that's where I am right now. I feel pretty comfortable about things.
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I had such a lack of respect for women that I just treated them as a hobby, trying to live up to the supposed image of Jack Nicholson and all those guys who were womanizers.
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My mom put me in a Pampers commercial on TV.
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I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.
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The Internet definitely could be a weapon of mass destruction - it's not going to come in a bomb, it's going to come as a cyberattack. It's pretty amazing to see what a small group of people can do if they really know how to control the universe.
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I had tutors, but education was just not a priority.
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There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.
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My family was amazing; they exposed me to the world of show business, and, boy, it was the '70s and I got to spend a lot of time backstage at theaters and see the inner workings of how this entertainment industry is really put together.
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The way I see it, if you're going to make an action movie, you've got to make one with John Woo.
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I've calmed down, certainly, from the days of being 18, but I'm still having a good time.
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I operate better with education and awareness, like I think all of us do. I don't like to be walking around in a vacuum, lost in my own thoughts. I'm much better with information.
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When I did 'Young Guns II,' I hung out with Emilio and Kiefer, and I once took a trip with Rob Lowe - we jumped trains.
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It still amazes me when I look at some of the films I've been a part of, and some of the people I've gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at times.
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The Internet opens up so many doors. It's a phenomenal tool for education but also a way for people to be scary and dangerous. We're living in a world where we can be hacked and exposed.
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How do I feel about being a star now? Well I still try to live life and enjoy what I am doing.
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I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.
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It's always a leap of faith when you get involved with somebody.
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The '80s was a wild decade, and I had some fantastic times. And I did some really fun work.