Theatre Quotes
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Theatre is a mirror, a sharp reflection of society. The greatest playwrights are moralists.
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Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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'T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.'
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Theatre is done largely for the love of the craft. Television makes you famous. And films immortalize you. That's the relationship between the three.
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I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
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Good teaching is one-fourth preparation and three-fourths pure theatre.
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This outfit called Los Angeles Theatre Works does readings of plays.
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Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
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When soon I sail from here, I may again run into such a storm as the one in Kvasefjord. But this time I shall clearly understand that it is not a play in the theatre, but it is death. and it seems too that then, in the last moment before we go down, I can in in all truth be yours...
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I grew up performing in theatre.
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I hope to be still acting when I'm 70 on TV, film and theatre.
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My operas and my theatre works are very formal pieces.
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My style is an extension of acting and an outcome of some serious lessons I picked up learning when I did theatre in my early days.
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A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
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Theatre is all about the process and the sense of community that is created. You have weeks of rehearsal, time to explore your character and get to know the other actors. There is opportunity to try off-the-wall ideas, to find layers and nuance over weeks. You become like a second family with your cast.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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A young Brit girl with no theatre experience decided to take on an iconic American role on Broadway. Maybe I should have thought that through?
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I really believe at the end of the day, regardless of how noble you are or how patriotic the film might be, it has to serve as entertainment in order for your audiences to come into the theatre and watch it. Otherwise, audiences will wait and see it a few months later when it is premiered on television.
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I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
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I grew up in the theatre. It's where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
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You can only do so much theatre.
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During my theatre days, I was more comfortable doing comedy. It's such an irony. I have always played a buffoon on stage, and yet I don't have any comic role to my credit.
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Most theatre people and composers are like research hounds.
