Theatre Quotes
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When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
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I loved theatre and film when I was growing up in Harpenden, Hertfordshire. My mum's a reflexologist and my dad's a corporate financier.
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I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
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When I had no money, I would find out which friend had work and money at that point in time and would go and stay with him for a week. All of us theatre guys did that.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I grew up performing in theatre.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
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I said I would like to do some theatre, so people started searching for some jobs for me, and I didn't think it would be the lead role in 'Equus.'
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I've never been a really big fan of theatre. I don't know why. It's so much for effort. It's much more difficult for me than stage acting just because of the pressure that's piled on you and you have to learn the entire performance by heart.
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I remember seeing 'A Moon for the Misbegotten' with Colleen Dewhurst, and that made a really big impression on me, and I remember wanting to be like her and I still want to be like Colleen Dewhurst! My mom took me to a lot of theatre growing up, and I also remember seeing Pippin and being like, 'Wow!
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I try to work on a film that my audiences would appreciate and enjoy their time in a theatre.
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I've become a little disillusioned with what's happening in the theatre just in the material that's been offered to me. I wish there was material that I responded to more. I can't make a living doing theatre. But I can't wait to come back. I'm doing a lot of film auditioning. I'm trying to make a transition into film. I'd like to see if I could have a little success in front of the camera.
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When you do a film, you get picked up in a car, lunch is free. Theatre is really hard, and you get absolutely no money.
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I've never done stand-up; I came via small-scale touring theatre, through the Royal Shakespeare Company, the National Theatre, then I got employed on that as an actor who had a humorous sensibility.
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I tried theatre. I played Miss Hannigan for a short run of Annie at a regional theatre. That was fun. I enjoyed it! I enjoy theatre and have so much respect for theatre actors.
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Even though momentarily I thought about being a doctor, I was always involved in theatre and did a drama degree. I just didn't have the guts to go, 'Yes, I'm going to be an actor,' until I was probably 21.
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Most theatre people and composers are like research hounds.
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I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don't go.
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Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
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I really believe at the end of the day, regardless of how noble you are or how patriotic the film might be, it has to serve as entertainment in order for your audiences to come into the theatre and watch it. Otherwise, audiences will wait and see it a few months later when it is premiered on television.
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I think that the wonderful advantage we have in the film of being able to cast a girl as young as Emmy and which we couldn't do in the theatre of course because no girl of 16 or 17 could sing 8 shows a week, couldn't sing two.
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Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice.
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At the end of the day, you're trying to - be it on theatre or on the camera - tell the truth and be honest in the moment.
