Bon Jovi Quotes
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In times of joy and sorrow, love or hate, peace and unrest, music has always been an important outlet for expressing our emotions individually and as a nation.
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Every time you're on stage, you look out at a packed house, people all the way up to the top, people having a blast, everybody forgetting about the world for a couple hours. That's a special thing.
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We really earned our keep by going door to door, going to every town, playing in every club.
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I love the Memphis sound. When I was 16-and-a-half, with my driver's permit, I was playing New Jersey clubs in a 10-piece band; we had a horn section and would play great, great songs like 'Hold On! I'm Comin'' and 'Knock on Wood' and 'Midnight Hour.'
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Usually for the tour, there's about 80 songs in our brain.
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My muse has always been the piano.
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Every time we do a new record, we do the best we can. For us, every record is stepping into the ring with another heavyweight champion.
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Most theatre people and composers are like research hounds.
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It's funny - Americans are the colonials who ran away from the royals, and yet we're fascinated by them.
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When we get on stage, naturally, you just get out there and work it as hard as you humanly possibly can do it.
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It's a sense of pride, a sense of you set out to get a record deal, and we got that. We set out to get a No. 1 record, and then we got that. Then you say, 'Wow, that was impossible and now even more impossible is to stay No. 1 and stay current and put out new records that people care about,' and we really stuck to that.
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One of the greatest things about our band is that we bring the American dream to the world. Here's a bunch of kids that were living in nowhere New Jersey, and we made it through a lot of practice and a lot of work and a lot of luck. It shows the world, 'If we did it, you can do it.'
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We started out a long time ago, and we've managed to just keep writing current songs and have No. 1 current records.
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Glass and wearable technology is an example of another step in consumer-facing innovation that will change how we share the music experience with our fans in the future.
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I think, bad times, I sit down and I play - there's definitely certain songs that touch in certain ways. I go back to 'Moonlight Sonata' by Beethoven; that usually takes care of everything.
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We strive to have new records. We strive to have new songs on the radio. That feels good that we can gain those new fans and still bring out our fans that have been with us for some of the ride or all of the ride.
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You start out with your eyes wide open, and you've got dreams, and we worked really, really hard, and ours came true. So - and we're fortunate enough to keep putting out number one records, and we're fortunate enough to get out there and keep playing, and we truly have a blast.
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People ask me, 'Is there pressure to win a Tony for your next one?' I've got three on my mantelpiece; I'm good. If that's the end of the story, I'm fine.
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I think growing up in the shadow of New York shaped me for life. Hey, you come from Jersey, you get used to being dumped on by the big city.
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My father was a very big musical influence on me. He was a trumpet player. And that's what I started with. Then, when I was 7, my parents introduced me to the piano.
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A lot of my friends are doctors, and the difference between me and them is there's no musical emergencies to pull me away from dinner. 'I need the chords for that song right now!' No, it can wait.
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There's trials and tribulations in a band.
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I just write the way I feel, and if it feels good to me, hopefully everybody likes it.
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Before 'Memphis,' I had never considered working on a musical. But when Joe DiPietro sent me the script, I heard the entire score in my head.