Writing Quotes
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Do activities you're passionate about - which make your heart and soul feel perky - including things like working out, cooking, painting, writing, yoga, hiking, walking, swimming, being in nature, being around art, or reading inspiring books.
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Every writer writes in different ways, and so some write the music first, while others write the lyrics first, and some write while they are doing other things, and it is just nice to see how other writers are writing.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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Writing and cookery are just two different means of communication.
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It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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I am writing this under an appreciable mental strain, since by tonight I shall be no more. Penniless, and at the end of my supply of the drug which alone makes life endurable, I can bear the torture no longer; and shall cast myself from this garret window into the squalid street below.
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Speech is the representation of the mind, and writing is the representation of speech.
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To the man with an ear for verbal delicacies - the man who searches painfully for the perfect word, and puts the way of saying a thing above the thing said - there is in writing the constant joy of sudden discovery, of happy accident.
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The writing part of my life never changes, because that's just when the inspiration comes.
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Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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If a reviewer is beating me up, I just say, 'Oh well, my writing is not to his or her taste.' And that's as far as it goes. Because I will simultaneously read a review where somebody says, 'Oh my God, I had so much fun reading this book and I learned so much.'
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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The act of writing is a kind of catharsis, a liberation, but I never really concerned myself with that. I write because it interests me.
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In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now.
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When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'
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Both back when I was acting and now that I'm writing, I've always wanted the same thing out of my career: to be able to get up in the morning and do what I love doing.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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I'm pretty terrible at writing, so the way I kind of therapeutically get through things is by drawing.
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I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
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I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.
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You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
