Felicity Jones Quotes
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It's funny how seeing a love story never gets boring, because it's the dream, isn't it? It's the dream to have a true connection with another human being.
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When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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I'm happiest when I'm discussing a script and working with interesting people.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I am quite fortunate, because I can still be quite incognito. If you go out looking for attention, then you'll attract it, but if you're just getting on with your life, particularly in London where everyone is engrossed in what they're doing, you can keep a measure of anonymity.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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Actors and directors work on things together. That's how I like to work, anyway. I don't want to be told what to do. I want to share it with someone and work it out together.
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Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
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I'm more of a freestyle dancer. I like to do my own thing.
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I think actors always find the dialogue doesn't quite fit, so you always have to play with it.
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
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I've never done this level of physical preparation for something. Particularly for 'Rogue One' where I was training every day and doing kung fu rehearsals on a daily basis. But that's part of the reason I wanted to do it, because it was very different from what I've done before.
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I love being able to change from big films to small films.
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I guess I'm a bit of a romantic.
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I would be writing an essay that was due in the next day until about 1 A.M., and then I would be up at 6 A.M. and on a train to Birmingham to record 'The Archers'. It was pretty intense.
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On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
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I did think that acting would be much more like being a pop star. Now I'm here, I can't think of anything more different.
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You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
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I'm very excited that I can get on a skateboard and skateboard down the street now. That was something I never thought I'd be able to do. I conquered my fears.
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I'm interested in all forms of performance, yet I think it's difficult to be as equally talented in all of them as they call for such different skills. At the moment, I still feel I'm learning and want as much experience and variety as possible.
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I just took everything so seriously in my early twenties. But now I'm like, 'life can be fun.' You don't have to overthink everything. I've found a way to be more at peace with things. I'm looking forward to turning 30.
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I'm not really massively into going out. I'm much more of a hibernator. It's nice to have people come to your house or go to someone's house, I think.