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I don't actually think there has ever been too much emphasis on what I am wearing.
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'Great Expectations' has become one of my favorite books.
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I don't think my parents would have let me go straight into acting full time when I was 12. I do like to have balance, naturally, as an individual.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
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It is disheartening when you read an interview with an actress, and it starts by describing what she is wearing.
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I'd studied English literature at university, but I was also far more enamored with Virginia Woolf, Katherine Mansfield, and James Joyce. That was my passion.
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With every film that you do, you're always so nervous. You feel exposed because you know people will see this eventually. You sort of have to put all that out of your head. What will be will be. But it's nerve wracking.
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I'm very excited that I can get on a skateboard and skateboard down the street now. That was something I never thought I'd be able to do. I conquered my fears.
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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I think actors always find the dialogue doesn't quite fit, so you always have to play with it.
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The more you work, the more people can see that you're something different from what's come before.
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I love being able to change from big films to small films.
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I love spending time researching a character and reading about them.
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I don't have much time for shopping so I pick things up when I can. My favorite labels are APC, Isabel Marant and Agnes B because the clothes are cut small and have a simplicity to them.
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I was a very rotund child with short hair, and for some reason, I always had black ballet shoes. I was like the Wednesday Addams of ballet.
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I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
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It can be frustrating when you're put in a category with others. Women do get lumped together in this reductive grouping, and you think, 'Gosh, that rarely happens with the boys.' I'm sure people don't say to Eddie Redmayne, 'How do you feel about Andrew Garfield?'
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I've never done this level of physical preparation for something. Particularly for 'Rogue One' where I was training every day and doing kung fu rehearsals on a daily basis. But that's part of the reason I wanted to do it, because it was very different from what I've done before.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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I'm obsessed with subtexts. I love that we often don't say what we feel. That gap between the two. I like it when actors reveal a lot without having to say it.
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I always take off my makeup. My mother always told me to do this, and I never go to bed without doing it. I use a good moisturizer and Mario Badescu face wash.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.