Felicity Jones Quotes
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If it's something quite low-key then I'll often do my own makeup. But for something like a premiere, it's good to have a makeup artist because they know what they're doing.
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I always take off my makeup. My mother always told me to do this, and I never go to bed without doing it. I use a good moisturizer and Mario Badescu face wash.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
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I'm obsessed with subtexts. I love that we often don't say what we feel. That gap between the two. I like it when actors reveal a lot without having to say it.
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I love being able to change from big films to small films.
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I've never done this level of physical preparation for something. Particularly for 'Rogue One' where I was training every day and doing kung fu rehearsals on a daily basis. But that's part of the reason I wanted to do it, because it was very different from what I've done before.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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The actresses I've known support each other very much. If you have a level of confidence in what you're doing, then you don't feel threatened. We all have different things to offer.
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My mother was in the kind of late-'60s, early-'70s origins of female emancipation. And she was very much like, 'You're not going to be defined by how you look. It's going to be about who you are and what you do.'
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For everyone, 'Star Wars' has been a part of their lives in some capacity. I remember watching it very early on with my cousins and my brother, and we were all cuddled around the VHS player, which sounds very old-fashioned, but that was the way then.
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I think there is an enormous appetite for great roles for women. You can see that clearly with things like 'The Hunger Games.'
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But for everyone, I think, there is always a pressure to conform, and I guess as you get older you realize it's less interesting to do that. It starts with you, though, saying, 'I know what I like doing and that's what I'm going to do.'
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In everyday life, I like APC, Isabel Marant, but I also like Zara. It depends how I'm feeling on the day. I like clothes that have a certain strength to them - simple but graphic.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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The luxury of radio is that you don't spend hours in make-up, and you can wear whatever you want. It's bizarre. You'll be saying lines, with various people around making sound effect noises.
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It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.
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The ideal would be to have a career like Meryl Streep's or Kate Winslet's. It's just unbelievable how they manage to make such incredible choices one after the other. If you could have a career anything like that, then that would be a great thing.
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I think human nature is eternal and constant.
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Often the last thing I want to do is stand up in front of 50 cameras on the red carpet. I'd rather have a cup of hot milk and an early night.
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I'm a horrible perfectionist and very highly strung. That's why I do yoga: to unwind.
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I love going swimming. I spent a lot of time in North London in summer going to Hampstead Heath and swimming in the ponds there. It's so beautiful; we're so lucky to have that in London.
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I've heard directing talked about as being a benign dictatorship, and I think that's probably the best way a director should be. They're open to collaboration and feedback from people, but ultimately, it's got to be that one person's vision. That's what I think makes a film really stand out.