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I have a great plain blue shirt from APC, and a denim one from Dolce that I wear constantly. It's hard to find the perfect denim shirt, but this is it.
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My mother was in the kind of late-'60s, early-'70s origins of female emancipation. And she was very much like, 'You're not going to be defined by how you look. It's going to be about who you are and what you do.'
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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But for everyone, I think, there is always a pressure to conform, and I guess as you get older you realize it's less interesting to do that. It starts with you, though, saying, 'I know what I like doing and that's what I'm going to do.'
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I think we're very lucky that there is a tradition of British actors working in America and being respected in America, and I've always liked Kate Winslet and her work and respected her.
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Often the last thing I want to do is stand up in front of 50 cameras on the red carpet. I'd rather have a cup of hot milk and an early night.
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I actually love doing comedy!
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It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
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I think human nature is eternal and constant.
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If it's something quite low-key then I'll often do my own makeup. But for something like a premiere, it's good to have a makeup artist because they know what they're doing.
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Emotional messiness is my reason for life. In acting, it's so important.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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I was so passionate about wanting the role in 'Like Crazy,' I filmed myself in the shower because that's where one of the scenes was set. It just felt instinctive. It was a close up! It would have been strange if I'd sent off a wide shot of myself. That's not the kind of work I want to do!
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In everyday life, I like APC, Isabel Marant, but I also like Zara. It depends how I'm feeling on the day. I like clothes that have a certain strength to them - simple but graphic.
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The luxury of radio is that you don't spend hours in make-up, and you can wear whatever you want. It's bizarre. You'll be saying lines, with various people around making sound effect noises.
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I'm a masochist in some ways. I look for things that I think I can't do, then, for some bizarre reason, I really want to do them. Maybe one day I'll take the easy route.
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It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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I think, as an actor, you're always traveling. There's a sense of dislocation sometimes from home.
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I don't like when I look too cluttered.
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The actresses I've known support each other very much. If you have a level of confidence in what you're doing, then you don't feel threatened. We all have different things to offer.
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The ideal would be to have a career like Meryl Streep's or Kate Winslet's. It's just unbelievable how they manage to make such incredible choices one after the other. If you could have a career anything like that, then that would be a great thing.