Comedy Quotes
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People who know me, they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.
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Life is neither comedy or tragedy, life is what you make of it.
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I was raised in a very humble environment, and I was always taught to be humble to the things that are happening in my life because they're blessings. They're blessings in every way. Whether you're able to help someone get through a tough time in their life through your music or through comedy, or whatever it is, you're just a channel.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Real comedy doesn't just make people laugh and think, but makes them laugh and change.
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You can't have good comedy without drama in it.
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Comedy is a tool of togetherness. It's a way of putting your arm around someone, pointing at something, and saying, 'Isn't it funny that we do that?' It's a way of reaching out.
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I've been lucky because Hollywood can be harsh and try to pigeonhole you. I've done TV, films, and comedy, done it all... I think I'm spread out evenly among the film community. I've been lucky and keep working with great actors.
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My school was 90 percent white, but 90 percent of the kids I played with were black. So I got the best of both worlds. I think that is where my comedy developed.
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Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
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Stand-up comedy is an art form and it dies unless you expand it.
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Comedy is a comfortable yet challenging place for me. I will always feel an inner pressure to do my best and to improve.
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Even today, people tell me that the slapstick humour in 'Friends' is the most viewed comedy track on television. Siddique knows the art of mixing slapstick with genuine humour.
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Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
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A lot of female comedians will go up there in a sweatshirt and Converses, trying to dress themselves down, because it is sort of a boy's club. I'll go up in my heels. I like that people don't think I'll be funny. I'll take that on. I don't do standup comedy - I do standup and I do comedy, but I don't go up there and do jokes.
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I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.
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I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.'
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It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
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I did stand-up comedy for seventeen years. I need to explore other things.
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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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It's that I wasn't suited to do the kind of comedy that these people were coming to hear - mainstream comedy.
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As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
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I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
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In college, I didn't perform so much, but when I graduated is when I discovered Second City. Then I realized, 'Oh, there are people who can focus on comedy and especially improvisational comedy and make a career out of it.'
