Comedy Quotes
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If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying... It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.
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In college, I didn't perform so much, but when I graduated is when I discovered Second City. Then I realized, 'Oh, there are people who can focus on comedy and especially improvisational comedy and make a career out of it.'
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Comedy, we may say, is society protecting itself - with a smile.
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I did stand-up comedy for seventeen years. I need to explore other things.
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I've done comedy most of my career, which I love, but I wanted to expand.
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I am a huge believer - I always have been - in the power of comedy. That comedy will break hatred and will bring understanding.
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I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
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I think my comedy, the put-downs I do to hecklers, are the accumulated bitterness of years of people feeling that it's perfectly acceptable to make a comment on your appearance when they don't even know you.
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The number one rule of comedy acting is 'don't try to be funny.' Act as seriously as possible.
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If I am totally honest, I would have to say that 'Allo 'Allo!' was not my cup of tea, even though lots of people loved it. For that reason, I find comedy fascinating. There is a huge difference between what people find funny.
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At its best, alt comedy can be challenging, surprising, and innovative. And at its worst, alt comics think that being awkward.com/FAQS is a substitution for punchlines.
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In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
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I feel like everything comes into your life for a reason. With 'Awake,' I got to do a drama, and with 'Anger Management,' that's my comedy.
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.
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For me, comedy is richer and larger than anything else.
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It's that I wasn't suited to do the kind of comedy that these people were coming to hear - mainstream comedy.
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My siblings and I, we were raised on TV and films. Not a day went by that we weren't watching one of three movies - 'Caddyshack,' 'Animal House,' 'Beverly Hills Cop' - on rotation. Our comedy, our personalities were set watching 'Sesame Street': these really sort of wacky, Jim Henson-y characters.
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I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
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I very much had wanted to do a picture with more humor than what I had been allowed to do earlier, which is what attracted me to Wonder Boys so much. I found it funny in a very serious way, which is the best kind of comedy.
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I'm currently working on a romantic comedy between me and Philip Seymour Hoffman. So my next step is to write something so mind-blowingly spectacular that he has no other choice but to agree to do it! Wish me luck.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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There's so much tragedy in people that we see every day that we don't have to make anything up. We don't have to invent anything. There are two items on the menu: comedy and tragedy.
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The great thing about 'The Office' and it being single-camera and the documentary style is that it's mostly a comedy, but 10 percent of it is, we get to show the existential angst that exists in the American workplace.
