Harold Ramis Quotes
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My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
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The movie 'Vacation' had a whole different ending. They never even got to the amusement park, Wallyworld, at the end of 'Vacation.' The last 20 minutes of the film was entirely different - and bombed so badly that the audience just stopped cold.
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Life doesn't care about your vision. Stuff happens, and you've just got to deal with it. You roll with it; that's the beauty of it all.
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If the only ideas you had were your own, you'd be very limited.
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It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
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How one handles success or failure is determined by their early childhood.
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I'm at my best when I'm working with really talented people, and I'm there to gently suggest or guide or inspire or contribute whatever I can to their effort.
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Acting is all about big hair and funny props... All the great actors knew it. Olivier knew it, Brando knew it.
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I really only worked for about a month on 'Meatballs.' What happened was that Ivan Reitman figured out that studios wanted to meet everybody involved with 'Animal House' except the producer. So he thought he'd better start directing.
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I never work just to work. It's some combination of laziness and self-respect.
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My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.
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With both Caddyshack and Vacation, it's not like the subjects were serious enough that they engaged my interest for another round. I love the characters, and the actors were great, but I didn't see the need to make another Vacation movie.
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I would remake 'Club Paradise.' I thought the story was cool, the setting was great. Everything lined up, except I wrote it for Bill Murray and John Cleese.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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If life only has the meaning you bring to it, we have the opportunity to bring rich meaning to our lives by the service we do for others.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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I had a dream cast when Dan first went off and wrote 'Ghostbusters 3' by himself. It was so long ago that my dream cast was Ben Stiller, Chris Farley, and Chris Rock. That would have been cool. Now, a lot of time has passed, and there are a lot of young funny people.
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I never read Playboy before I started working there and stopped reading it the day I quit.
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As a director on 'The Office,' there's a tremendous weight that comes with directing features. I was being asked to direct a show that had already won an Emmy for Best Comedy. Steve Carell and the cast had already won the Screen Actor's Guild Awards.
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We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.
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It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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Nothing reinforces a professional relationship more than enjoying success with someone.
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I feel a big obligation to the audience, almost in a moral sense, to say something useful. If I'm going to spend a year of my life on these things, I want something that I feel that strongly about.