Actors Quotes
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Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
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I love actors.
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With both Caddyshack and Vacation, it's not like the subjects were serious enough that they engaged my interest for another round. I love the characters, and the actors were great, but I didn't see the need to make another Vacation movie.
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The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.
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Working with [Robert] De Niro taught me a lot about being an actor's director.
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I love going to the movies; I love watching good movie actors. They must know something I don't.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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I love to be in the position of not knowing what I'm gonna do, but having rehearsed all of those so when something happens with the others actors I go with whatever that is I'm getting.
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Many casting directors won't hire aspiring actors because you might be burning some chick's headshot under the table so she doesn't get the part.
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More than most people, the alcoholic leads a double life. He is very much the actor
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Economically, it’s more expensive to make movies. I hope digital movies change that.
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I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
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Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.
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I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.
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It's weird talking about projects as an actor because you're so in them. I would prefer to write a paper and deliver it to everyone via e-mail.
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In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
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For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them.
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Some actors can create characters and leave them at 'Cut!', but I work the opposite way and drag them out of me. For me, it's about fixing your fabric to fit the role.
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I pick out young people and teach them in less time than it would take me to alter the methods of people from the boards, and I get actors who look the parts they have to fill.
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A hit film is what we work for as actors, as that goes to show that we have managed to entertain our audiences who shower us with their love and affection throughout the years.
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There are actors who can pull of a writer's lines; I am not competent enough to do that.
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In western countries, there are roles written for older actors. Films are made on them, including love stories.
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
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That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.
