Actors Quotes
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In western countries, there are roles written for older actors. Films are made on them, including love stories.
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I pick out young people and teach them in less time than it would take me to alter the methods of people from the boards, and I get actors who look the parts they have to fill.
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You want the actors to disappear into roles and stay under the radar, and that gets harder when someone is known for their actual personality, or who they seem to be.
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For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them.
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I'm envious of actors. You shoot a movie or you do a season of 'Big Love,' and then you're on hiatus and you have a bunch of free time.
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Marlon once said to me about being an actor: Can you imagine going to work every day and pretending to be someone else?
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There are actors who can pull of a writer's lines; I am not competent enough to do that.
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In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
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It is hard sometimes to see how other actors are working when you are working with them.
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A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
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I think theatre reminds us what we're doing as actors, because every night and every matinee day, you have an audience telling you what's working and what's not. And that's very good for us as actors to hone our skills.
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As you get older and ease your way into being a character actor you have to be comfortable with where you are in life and career, and I'm very comfortable with what I'm doing - working on projects I'm proud of.
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Some actors can create characters and leave them at 'Cut!', but I work the opposite way and drag them out of me. For me, it's about fixing your fabric to fit the role.
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As far as actors go, you're not going to find many ballplayers better than me.
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
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Every movie is unknown.
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Enforcement efforts should focus on aggressive prosecution of bad actors under existing anti-fraud laws rather than imposing costly and largely ineffective procedural requirements on all public companies.
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The best research for playing a drunk is being a British actor for 20 years.
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Some journalists are pestier than others, so I find out where the pests are. I am careful with my actors and actresses. I come back and tell them, 'Watch out for this one or that one.' People are surprised I do that. But I watch out for them even after the movie is over.
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You work with seasoned actors, and sometimes you realize that they phone it in.
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That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.
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Actors play different characters in every project they do. Though it has nothing to do with my craft, the red carpet gives me the opportunity to show who I really am and be myself.
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Acting on the stage is a luxury for me. I lose money. I make movies for financial reasons and this allows me the luxury of acting on Broadway. Hollywood, unfortunately, exploits actors for their own reasons, which are usually financial. So we might as well exploit Hollywood as much as it exploits us.
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I mean, I didn't ever watch 'Gilligan's Island' and think, 'Those people are actors.' I lived in West Virginia. Hollywood just felt like this total other universe.
