Actors Quotes
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For me, the greatest good fortune I have being raised by actors is I came in knowing that a career is the ebb and flow.
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Some people are kind of themselves, and some people are straight-up actors that can meld into a lot of different parts.
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Some journalists are pestier than others, so I find out where the pests are. I am careful with my actors and actresses. I come back and tell them, 'Watch out for this one or that one.' People are surprised I do that. But I watch out for them even after the movie is over.
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The best research for playing a drunk is being a British actor for 20 years.
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I pick out young people and teach them in less time than it would take me to alter the methods of people from the boards, and I get actors who look the parts they have to fill.
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As far as actors go, you're not going to find many ballplayers better than me.
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You work with seasoned actors, and sometimes you realize that they phone it in.
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I love writing for other actors, women of African descent and people who are generally underrepresented.
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You don't always just have to do an indie movie to feel like you're controlling it with a few people that you really have connected with, creatively. You can do it on a bigger scale.
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I think theatre reminds us what we're doing as actors, because every night and every matinee day, you have an audience telling you what's working and what's not. And that's very good for us as actors to hone our skills.
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Actors play different characters in every project they do. Though it has nothing to do with my craft, the red carpet gives me the opportunity to show who I really am and be myself.
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In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
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There are actors who can pull of a writer's lines; I am not competent enough to do that.
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Marlon once said to me about being an actor: Can you imagine going to work every day and pretending to be someone else?
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It is hard sometimes to see how other actors are working when you are working with them.
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I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.
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I think there is a lot of space for people to love who they love, and a lot of space for actors to carve a niche for themselves.
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A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
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You want the actors to disappear into roles and stay under the radar, and that gets harder when someone is known for their actual personality, or who they seem to be.
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Every movie is unknown.
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Enforcement efforts should focus on aggressive prosecution of bad actors under existing anti-fraud laws rather than imposing costly and largely ineffective procedural requirements on all public companies.
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The actors that I love to work with, they're hard on me. They're pushing me.
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As you get older and ease your way into being a character actor you have to be comfortable with where you are in life and career, and I'm very comfortable with what I'm doing - working on projects I'm proud of.
