Actors Quotes
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I follow Elle Fanning's career. I really like to follow actors who are a similar age to me. Just to see what they're up to.
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The most important thing that certainly the United States and other Asian and Pacific actors have done is to urge that whatever happens, however the dispute is resolved, that it be resolved peacefully.
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It [smoking] was like an aphrodisiac. Actors would say let's have another cigarette on that great scenes, and they'd blow smoke in each other's face.
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I love rehearsing, but a lot of directors don't, and some actors don't.
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I think all good actors are personalities. If they're not, they're not stars. What makes you a star is horsepower.
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Every actor has a natural animosity toward every other actor, present or absent, living or dead
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When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
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Seeing a film at the cinema, or a DVD or whatever at home, your brain is really receptive to not only whether the script's working, or if the actors are acting well, but also the colours.
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People are really emotionally affected by actors. And it's hard to know how to behave in a way that doesn't impose or withdraw. Because everybody wants your attention.
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I am selective, but at the same time, I want to be out there as an actor and show people my range.
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Any good relationship that I've had with an actor has always been so emotional and personal. If you don't have that then you're just lying.
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I used to search and search for that actor or actress who's exactly what's in my head. But you have to realize you have to cast whoever's super talented and super funny, and then the character has to become at least partially theirs.
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It's all in L.A. There might be some location shooting as well. I think it's pretty short. I heard it was like six to eight weeks, which is pretty short. But you don't have to do makeup or anything. There's no hair, there's no makeup, there's like one trailer for Jason and one for the actors who do cameos. It's quick. So that's what they're saying. I don't know if that will change.
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I'd go for parts that didn't pay a dime, and there would be 300 to 400 actors there. It could be very discouraging. To make it in this business, you have to have a kind of dumb sense that you're really good. You have to believe that someone is going to recognize that.
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Actors tend to get in their own way, a lot. A lot of times you will do things that will screw up your audition process. I was very bad at auditioning, and I always went in to it saying ‘God I hope I don’t screw this up.’ But at the same time, the directors are saying, ‘God, I hope this person is the savior.’ You have to remember is that the worst thing that could happen is you don’t get the job you don’t already have.
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Have we become so celebrity-obsessed that there is no longer a difference between a character and an actor? I hope not.
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Actors should ACT. Not sell perfume, or write cookbooks.
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I fear other actors who are not prepared. And I fear directors who are afraid.
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I found that golf saved me from going to the pub every day so instead I play golf with other unemployed actors. I'm a member of the Stage Golfing Society and I play golf with all sorts of people.
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I find that balancing my life with my work with the kids at St. Jude, working on books, working on my career as an actor and taking time out for my husband and family help to cushion a lot of the blows.
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I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
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I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
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I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
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I mean, you know, actors lives - you're forgotten. Look at Barrymore, and look at all the great actors. They're forgotten after awhile.
