Actors Quotes
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Being an actor opened doors for me to explore my emotions as different people and characters, and expand my own inner soul.
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I expect I should be more calloused by now, but I am so sensitive about not ever living up to anybody's worst idea about an actor who is well-known.
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I don't think it's more difficult for actors to have a good marriage than anyone. I think, in the end, a really important component of any relationship is honesty, and it also comes down to luck.
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I couldn't remember ever having seen a young man with such power, so many facets of expression, so much sheer invention as an actor.
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Every actor has their stalker.
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It's harder to work with people who are not as dedicated to their craft. It also leaves you a better actor when you finish the project, since you always feel like you've learned something.
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I've been on sets where the turnaround is so fast and the budget so small that the actors have been asked to speed things up and save money by changing in the public toilets. There's no room for vanity at times like that. It's the best way: get on with it!
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As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
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Sometimes acting and politics make a very bad combination. I think that sometimes people take me less seriously in my work for the UN because I am an actor.
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Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
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An actor has to evaluate his own abilities and be honest with himself.
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Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
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Actors between plays are like ghosts looking for bodies to inhabit.
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I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.
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It's not a pleasure torturing actors, although some of them enjoy it.
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To be frank: the translations that often sound bad in the mouths of the actors, these have often been done by linguists.
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You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.
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I have a bit of an obsession with the 1950's and all those actors from Montgomery Clift to James Dean and Anthony Perkins. Just that whole era of Tennessee Williams to Elia Kazan.
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Actors and burglars work better at night.
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There's something very interesting about the way each individual actor approaches stuff.
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A movie is really provocation. It's not a message, it's not a statement.
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I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
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I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results.
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When you're rapping, you do have to perform to a certain degree, but not every rapper is necessarily a gifted actor.
