Actors Quotes
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Anything that you as an actor can change about yourself for a part is helpful.
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When I was very young, biology, the diversity of life, was one of my main interests. I know there's this image people have that I'm this spoiled, cocky punk of an actor. Honestly, that's not who I am. I really care that so many species have been wiped out, like genocide of entire races. I believe in the divine right of all species to survive on this planet. So I decided I want to be active as an environmentalist. I learned. I asked experts. I got active.
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I don't want to be a movie star like Angelina Jolie. Nothing about being a celebrity is desirable. I'm an actor. It's bizarre to me that everybody's so obsessive.
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Initially, it connected with me when I was a kid, seeing a lot of movies while growing up in Los Angeles. And Sam's [Fuller] pictures are an expression of such a distinct voice that he was one of those filmmakers who made me aware that there was, in fact, a real presence behind the camera that was telling the story, as opposed to actors just presenting it.
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It's harder to work with people who are not as dedicated to their craft. It also leaves you a better actor when you finish the project, since you always feel like you've learned something.
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The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
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Sometimes acting and politics make a very bad combination. I think that sometimes people take me less seriously in my work for the UN because I am an actor.
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Actors are as anxious about the state of audiences as aviators are over weather conditions.
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It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
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First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.
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I'm probably the most pessimistic actor I know. I'm always sure I'll never work again.
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Since we've done that type of work [ voiceover], we know how isolating it can be, and we wanted to make the actors more comfortable.
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As an actor, all you want to do is to work and do good work.
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The critical goals of solid internal controls and transparent financial reporting are better achieved by a free and unfettered capital market rather than by burdensome regulation. Enforcement efforts should focus on aggressive prosecution of bad actors under existing anti-fraud laws rather than imposing costly and largely ineffective procedural requirements on all public companies.
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I think as an actor, it's very exciting when you have a really fully realized, complex, multifaceted character already established.
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I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
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Actors and burglars work better at night.
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A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
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It's very embarrassing to talk of your own work before shooting for it and even before it is released. I have been a witness to many of our actors turning red-faced after their films release. I'd rather not be there.
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What's important about an actor is his acting, not his life.
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I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.
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'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
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As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
