Actors Quotes
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When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.
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I don't want to be a movie star like Angelina Jolie. Nothing about being a celebrity is desirable. I'm an actor. It's bizarre to me that everybody's so obsessive.
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Show business always tries to stereotype you, so that is something you have to fight against no matter who you are. A lot of actors who are of a minority background complain that they only get stereotyped roles, and they are 100 percent correct. However, it's also true that, no matter who you are, you get typecast as well.
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No one is banging my door down to be a superhero. I don't know how good I would be. I have low bone density, so I don't know if anyone really wants to put me in a cape and chuck me out a window. But a lot of my friends, who are great actors and who come from film, are doing TV because that's where the opportunities are. For us, it does feel like it's similar to making the movies that we used to make.
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There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.
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Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars; their image is their industry. It goes beyond acting.
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I'm not just an actor born in L.A. I was born in the Griffith Park Hospital. You can't get any more clichéd than that.
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Most actors don't know what they're going to do next, so you get into this thing where you have to force yourself to have another life outside of acting. And then, as soon as you start something in this sort of normal life that you're trying to live, you get a job. So you have this constant struggle because you want to be able to commit to things and to finish things in your life, but then you also want to be able to act.
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A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
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Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting.
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As a writer, all you want to do is write for great actors. That's all.
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A totally healthy actor is a paradox.
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You've got to do the big studio movies to get your name, but as an actor and for your own well-being you kind of need to step back from that occasionally and do the smaller films. In the end, that's what helps you learn and makes you a better actor.
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I'm not just friends with fellow actors, but I find that a lot of people are out here in L.A. I go out of my way to make sure that's not the case, but I do have a lot of friends who are actors.
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I'm probably the most pessimistic actor I know. I'm always sure I'll never work again.
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I have a lot of repression. So repression is what I make movies about.
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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Sometimes actors come in, you record them, and they do their role.
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To stand up on the stage is to say to many people: Look at me. How can you do that without speaking the only truth you know? There is no such thing as an uncommitted actor.
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Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.
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Initially, it connected with me when I was a kid, seeing a lot of movies while growing up in Los Angeles. And Sam's [Fuller] pictures are an expression of such a distinct voice that he was one of those filmmakers who made me aware that there was, in fact, a real presence behind the camera that was telling the story, as opposed to actors just presenting it.
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Gradually the live TV scene simmered out, replaced by film, and that took place in L.A. So many actors left New York.
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Mostly I've just worked with actors and actresses that are fun and easy to talk to and had nothing but great experiences.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
