Clark Gregg Quotes
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I was lucky enough to work a little bit with Steven Spielberg.
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The cool thing about directing is, whatever cool thing works in the scene, it's still making the episode be a great story, and everyone's working toward that goal, so it doesn't much matter where it's coming from.
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No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
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Apparently, Agent Coulson is a representative or an avatar of all the geeks. And there is so much love for Coulson and fan art of Coulson.
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In Jiu-Jitsu, every instinct you have wants to do everything but relax or breathe when someone's attacking you, and learning that takes a long time. I think that's why a lot of people stop at blue belt because it's really hard to do. It's hard to take that next step. It took me a long time.
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When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.
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Joss Whedon and all the writers of 'Iron Man' and 'Thor' found a way to keep Coulson saying something that keeps you guessing. I'm really lucky because a lot of people play agents and don't get nearly as much fun stuff to do.
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There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
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Sometimes being an actor is being a song in someone else's mixtape, so I really understand why more and more actors are making films of their own.
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There was a day on the set of Iron Man where I said, "I remember some of this stuff. I definitely had some Iron Man books. But, S.H.I.E.L.D. is a little bit of a weak spot for me."
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With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
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As you can imagine when you have to summon a force like that together, the opposing elements are pretty freaking gnarly. I would think of those pioneer movies where they've got the cook and the ladies loading the guns and firing at the surrounded wagons. I don't put Coulson in that category, I think he is on the upper tier of people who come to scrap at situations like that but everybody's involved.
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For me, one of the really cool things about this is that throughout these movies, there have been - and I enjoyed it this way - hints at what S.H.I.E.L.D. is and how they function within this Marvel movie universe which, as you know, is deeply based in the comic books.
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The world of Ultimate Spider-Man is funny. I can't imagine a live-action film where he's Principal Coulson and dealing with some of the pranks from these guys.
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What I think is incredible about what Marvel has done and with Jon Favreau I think really maybe helped come up with, is what the template is.
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When I got the episode where Spider-Man meets Aunt May (voiced by Misty Lee), it was another one of those things where I was like, "I can't believe I have a scene with Aunt May. That's just amazing to me." And they drew her a lot younger and hotter then the Aunt May that I remember.
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You can never discount the pleasure of showing up to work with Scarlett Johansson and now Cobie Smulders. That's just a day that's easy on your eyes.
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I'm not in Captain America because it takes place in the '40s. Both he and Bruce Banner are relationships that evolve during this - two more rock stars that I got to get on stage, ready to play ball.
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When I was backstage at Comic-Con, about to go out and do the panel for Thor, and Joss Whedon ran up and introduced himself, I already almost passed out, right then. And then, he said, "I've been meaning to call you. You have a big part in The Avengers. Can we introduce you as part of the cast?" It was pretty Make-A-Wish Foundation. I was pretty sure I was dying and nobody had told me yet.
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But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.
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When I moved out to Los Angeles to get some film and television work, and couldn't get any... I became a little isolated, a little terrified, and it's a good place to get writing, because you're so bored. So I wrote a few screenplays, and people notice those.
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The tremendous Jeremy Latcham from Marvel showed up with this one-of-a-kind animated encyclopedia about S.H.I.E.L.D. and The Avengers. Coulson wasn't a part of the comic books, which is a singular thing about him that I thought would get me killed off very quickly, but luckily, it didn't. It just became a thing that I fit into, and they kept finding new and better uses for me.
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The thing is, I love a great death scene - no good actor doesn't. Sorry, any actor, I should say.
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I feel like I've had a number of roles in suits, which is hilarious to the people who know me, because it couldn't be further from who I am and what I wear. I think that Aaron Sorkin is, to a certain extent, responsible.