Record Quotes
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
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Superman told me... that we needed to make a double... type of record... and so I answered: 'Okay, Superman. We will make... a double type of record but it won't be a double album because... Batman... didn't want a double album'
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I mean, the thought of someone spending $20 to come and see me and saying 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
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If someone thinks I'm a dickhead, fine, listen to someone else's record, then. We're not a totalitarian regime; no one's forced to listen to Coldplay. It's actually quite a compliment if you're something that people can stand against.
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I have a record I love, 'Limbo,' which is very catchy.
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I used to be with a publishing house called Roosevelt Music. A gentleman there told me he had seen Peggy Lee perform Fever in Las Vegas and I found out later she wanted to record it.
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I didn't have a record player.
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I love singing and would love to record an album at some point.
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To see a lot of the smaller labels disappear or get gobbled up by the bigger labels, that's a shame. It was a bit of a shock at first to see the demise of the record stores.
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After we wrote The Wreckoning, our record label did listen.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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When you've been playing for 35 years, there aren't too many 'firsts' left. But this is definitely the first time we've ever played a record company's lobby.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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My record speaks for itself.
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It's hard to have a boom-bap hip hop record that goes No. 1 in the country.
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'Runaround Sue' was a big record for me, as well as the music video for it.
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Often, a serial killer has no felony record.
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Everything is going to focus around the record, which he is diligently working on now. It's no different from any other hip-hop act; we're going to look for the right opportunities.
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Producers like to record all the drums first, then they do the bass, then all the guitars, so you're constantly moving from one song to another.
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If you looked at the sound pattern of an old-fashioned record, it would be very spikey. But nowadays, there's no spikes - everything looks like a brick, so the quiet bits become louder. It's actually damaging because it's like listening to a drill.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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I would never want to be selected to a team just because I am going to set a record. It's critical to me to earn my way.
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I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.
