Record Quotes
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I mean, the thought of someone spending $20 to come and see me and saying 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
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I used to be with a publishing house called Roosevelt Music. A gentleman there told me he had seen Peggy Lee perform Fever in Las Vegas and I found out later she wanted to record it.
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After we wrote The Wreckoning, our record label did listen.
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Superman told me... that we needed to make a double... type of record... and so I answered: 'Okay, Superman. We will make... a double type of record but it won't be a double album because... Batman... didn't want a double album'
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I love singing and would love to record an album at some point.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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I have a record I love, 'Limbo,' which is very catchy.
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I didn't have a record player.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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My record speaks for itself.
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It's hard to have a boom-bap hip hop record that goes No. 1 in the country.
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Often, a serial killer has no felony record.
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Producers like to record all the drums first, then they do the bass, then all the guitars, so you're constantly moving from one song to another.
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'Runaround Sue' was a big record for me, as well as the music video for it.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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When I was a teenager, I had a record company after me. They wanted me to be a pop act. They said they wanted me to be the next Sonia. I was 16 at the time. I said, 'No thank you.'
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The first record I got, I think I stole. I was with my mother; she turned her back, and I slipped it in my coat. And I think it was 'Cry Baby' by The Bonnie Sisters. That or 'Lucille' by Little Richard.
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If you looked at the sound pattern of an old-fashioned record, it would be very spikey. But nowadays, there's no spikes - everything looks like a brick, so the quiet bits become louder. It's actually damaging because it's like listening to a drill.
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I would never want to be selected to a team just because I am going to set a record. It's critical to me to earn my way.
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If it takes you a year to cut a record, I don't know, you need to find something else to do. It really shouldn't take that long.
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I am never writing a breakup record again, by the way. I'm done with being a bitter witch.
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I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.
