Novel Quotes
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Life must not be a novel that is given to us, but one that is made by us.
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I love bookstores and booksellers. In my novel 'Dirty Martini,' I thanked over 3,000 booksellers by name in the back matter.
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I love the novel because it's like a love affair. You can just fall into it and keep going, and you never know where it's going to take you.
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I'm just giving you some spiel, the ludicrous plot of a novel, a story I invented to touch your heart—one-third bullshit, one-third booze, and one-third genuine tenderness, you know the kind of thing.
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Working on the plot/story idea for my next novel ... It always takes time.
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In a novel, it's hard to keep track of everybody.
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I don't think anyone has written a great graphic novel.
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Yeah, I just finished a novel. Man those things take forever to read.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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I'm a huge Cure fan. I love the Cure. The scales being tipped to when they weren't on a major label compared to when they were seems pretty meaningless. I had the good fortune of having them go before me and seeing their careers, musically at least, lose something. Like a novel written by a dead hand.
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It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language
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I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
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If a traditional publisher offered me a quarter of a million dollars for a novel, I'd consider it. But anything less than that, I'm sure I can do better on my own.
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I've never abandoned the novel.
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I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'
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I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.
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There was a time when the average reader read a novel simply for the moral he could get out of it, and however na?ve that may have been, it was a good deal less na?ve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.
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The novel is a seduction; a reader has to be seduced.
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A novel is not a rant.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I know there are writers who like to say that every novel is hard, and it doesn't get easier. That may be the case, and I've only written two. But the first, to me, was characterized by an enduring oscillation between perseverance and a profound doubt.
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In addition I wanted to write a Southern novel, because I'm a Southerner.
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Every once in a while I feel the tremendous force of the novel. But it does not stay with me.
