Record Quotes
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This record was supposed to come out in July already, but it just got delayed and delayed, so, well, I guess it was just coincidence.
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Do you ever think about when you outta here? Record deal and video, outta here!? Mercedes Benz and Range Rover, outta here!?
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You must get involved to have an impact. No one is impressed with the won-lost record of the referee.
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We've always prided ourselves on making a record that we want to feel proud of, ones that are hopefully timeless so they can be around for a long time.
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I think the music has evolved from what it was on the first record. The first one was sort of about things going on around us growing up in a small town. This one is sort of personal to me.
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I jumped off the wheel of fortune because I wanted to simplify things. Now I've fulfilled my obligations to myself by making my new record. I'd like it to sell millions of copies, but my self - worth is not based on chart positions.
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It has always been Cramer's strategy to place inventory at the core of the OSS, as opposed to providing a passive database of record. The power of inventory at the core means that we can use the inventory to drive the systematic integration of wider OSS functionality within one, converged platform.
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When I was a tiny tot, we only had one record player in the house, so there was either Genesis on it or the Jungle Book or The Beatles as well, and various other things.
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This time around was different. Daron brought a song in and we had to record it the next day. I just wasn't about it and I didn't do it perfectly. It took some time, or I wanted to play it a different way and the song had not been developed yet. I had to get it. It was more work-oriented and less about a vibe and art.
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I realize that 'Postcards' was like input, and 'Ghostwriting' was output. I had all these frustrations and feelings before I did those two projects. 'Postcards' was something that brought new life and creative inspiration into the record, while 'Ghostwriting' was relieving myself.
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Immediately after the Floyd experience, I became a pop record producer.
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We were feeling desperate, We started writing songs; Question Mark would record everything we practiced. I came up with some chords, and Question Mark started singing Too Many Teardrops.
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This record is quite a bit more personal than the last record was.
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Have I ever made a mistake? I am sure. Do I think I can stand on my record? I do.
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I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
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I write about my life and the lives of people around me and situations, and the idea's for each record to try to make you a better person, to understand the life that you lead more.
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You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.
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All you can do as an artist is just strive to make the best record you can and ride the rollercoaster as it goes up and down.
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We actually wrote the record in and out of Canada, where we live, in sort of cottage country. ... We were at a lake, around campfires, writing music.
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When we did a lot of that Motown stuff there were four of us on the front line. When we started the evening we'd start from one end of the band and just go along. The lead singer would change all the time. That's the first time that I actually managed to put it into a record.
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If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
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“I just make music. — The music I make, I make for myself,” he continued, “I’m the number one guy for me to please.” He is not one to force a track into a specific genre and would never create a record with the intentions of critical reception. “Sometimes 10 million people love what I do, sometimes 500 do… I have massive hits with some tracks, and some other tracks have stayed in the underground.”
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I just feel so fortunate and so blessed to have been able to entertain people in the theatres and on record, it's just an amazing life that I've experienced.
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The early Billy Joel stuff I fell in love with, like Glass Houses, is a real rock record.
