Record Quotes
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Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it any easier. Each time I start a new record, it's a brand-new search.
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This was when we started taking it seriously, and found out about what hard, hard work really was. Mutt Lange at the helm at Battery studios in Willesden, London. Our first venture into video promo saw us featured on a new channel in America called MTV. The song from the album was "Bringin' on the Heartbreak". This album was slow to take off but a year after it's release it started to make waves in the U.S. Thanks to "Bringin'" on the MTV. The record is a favorite of mine.
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As long as it says Metallica on the record it's Metallica.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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Sometimes when a record's done, I'm satisfied and I won't listen back to it for a while 'cause I'm usually pretty tired of the songs. Then I've got to learn them again to play them live, and sometimes it takes a while to realise it's a really good record.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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I just think that there is something that keeps us together, to keep doing what we're doing. I can't really put my finger on it other than each record is like a little snapshot of my life at that particular moment, the way I play, the way I sound, the way I wrote, the way I sing, I can hear it.
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I had these glorified ideas about San Francisco and its drug culture - I thought inspiration would just hit me and I would get these San Francisco drugs in my system and all of a sudden an amazing record would come out. But that's not really what happened at all.
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I am never writing a breakup record again, by the way. I'm done with being a bitter witch.
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I have a relatively good track record.
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If it takes you a year to cut a record, I don't know, you need to find something else to do. It really shouldn't take that long.
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I am continually pleasantly surprised by how many people are showing up at shows and are younger than our first record.
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He's certainly won more state championships than anyone else, and his record as Gainesville's baseball coach will probably never be equaled.
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I still love records, and I've been fortunate that my parents bought me a record player so I didn't just have my vinyls to stare at!
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When I was a teenager, I had a record company after me. They wanted me to be a pop act. They said they wanted me to be the next Sonia. I was 16 at the time. I said, 'No thank you.'
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I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.
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I am so anti-people's opinions when I'm making a record, but when it's finished and I put it out there, I hope somebody likes it.
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Marvin Gaye is an inspiration to me. He was one of the first Motown musicians that my mom and dad introduced me to, and I always thought it would be a good idea if I was ever an artist, and now I am, to make a record called 'Marvin Gaye.'
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I've discovered this trend in popular criticism that because our first record was such a -- critical darling ... that now people are hesitant to give us too many accolades. We didn't know exactly how we needed to change. But we knew from the experience from 'Room on Fire' where people, where critics mainly, were saying that it was sonically too similar to the first record, we needed to step up.
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It's not about battling the original artists when I record these songs, it's about paying tribute to them.
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I think it was a pretty cut ad dried draw. We've got about as good a situation as we could, given or record. Hopefully we can keep playing well and surprise a couple of people.
