Don Henley Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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I am a record executive and I shall be right there in your face with my records.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Denver and Boulder are good record-buying cities. I don't know why.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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I can't write another breakup record. That would be a real cliche.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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Just because a record has a groove don't make it in the groove.
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It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
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So we may look at this and say, ‘We are tampering with the earth.’ The earth is a twitchy system. It’s clear from the record that it does things that we don’t fully understand. And we’re not going to understand them in the time period we have to make these decisions. We just know they’re there. We may say, ‘We just don’t want to do this to ourselves.’ If it’s a problem like that, then asking whether it’s practical or not is really not going to help very much. Whether it’s practical depends on how much we give a damn.
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When you develop software, the people who write the software, the developers are the key group but the testers also play an absolutely critical role. They're the ones who ah, write thousands and thousands of examples and make sure that it's going to work on all the different computers and printers and the different amounts of memory or networks that the software'11 be used in. That's a very hard job.
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Science itself, therefore, may be regarded as a minimal problem, consisting of the completest possible presentment of facts with the least possible expenditure of thought.
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It's funny about men and women. Men pay in cash to get them and pay in cash to get rid of them. Women pay emotionally coming and going. Neither has it easy.
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I played drums on Keith Carradine's first record.
