B. B. King (Riley B. King) Quotes
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
Quotes to Explore
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I don't know how much the economy has changed since Jonathan Swift's 'A Modest Proposal.'
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You've achieved success in your field when you don't know whether what you're doing is work or play.
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I know exactly what my values are and what I love to do. That's worth additional years right there. I say no to a lot of stuff that would be easy money but deviates from my meaning of life.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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This I know; the spirit of Man cannot be stopped.
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I like risky stuff.
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I respect all women who came before me to blaze trails into the workplace for us.
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Besides that, I felt guilty. I thought for some reason... I was alive, and Buddy and those boys were dead, and I didn't know how, but somehow I'd caused it.
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I don't like celebrities; I don't hang out with them; I don't relate to that life.
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I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
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If everything gets too serious for me on the album, I get kinda bored. I've got to have some kind of jovial things in there.
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Excess of grief for the dead is madness; for it is an injury to the living, and the dead know it not.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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Lady Gaga is my name. If you know me, and you call me Stefani, you don't really know me at all.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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Regulators are going to have to come up with a way to treat Bitcoin that is balanced and thoughtful but also recognize that this is a global phenomenon.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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In case you don't know this, we're not in the '90s anymore. Indie cinema does not reign.
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It's simple to get a concussion, you know. I don't know how many I've had over my career, you know, but I've definitely had my fair share.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
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Man is but a reed, the most feeble thing in nature, but he is a thinking reed.
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I try to steal from the best. Suck it all in. 'Taxi Driver' is really a bible for film actors, a master class. A lot of emotional power, a lot of emotional depth but it's contained and you just see the tip of the iceberg.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
