Doris Day Quotes
When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
Quotes to Explore
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Anything worth doing is worth doing slowly.
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I can't say anything I don't love about Seattle.
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I'm not keeping track, but the record is there for someone to break.
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Anything looked at closely becomes wonderful.
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Food can change anything.
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A poet's autobiography is his poetry. Anything else is just a footnote.
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I won't do anything unless it's the absolute best.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I don't fear anything now.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I have a relatively good track record.
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Repeating is harder than anything else.
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I don't do anything just 'cause nothing else is happening, or for money.
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I have never said anything critical about Ozzy that he didn't say about himself many times.
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I don't want to be known as the Hilton heiress, because I didn't do anything for that.
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Lebanon is a Syrian protectorate. The Lebanese dare not do anything without the approval of Damascus.
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Would I have traded 'Homeland' for anything else? No. Would I trade 'Billions' for anything else? No.
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I wish no teams had cheerleaders. I find it more distracting than anything else.
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“I just make music. — The music I make, I make for myself,” he continued, “I’m the number one guy for me to please.” He is not one to force a track into a specific genre and would never create a record with the intentions of critical reception. “Sometimes 10 million people love what I do, sometimes 500 do… I have massive hits with some tracks, and some other tracks have stayed in the underground.”
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Adrian Clayborn is somebody that relentlessly brings that attitude, energy, and toughness.
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Don't hang onto anything too tightly-all things must change and you have to allow room for them to grow and blossom.
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I'm not talking about losing [agricultural] diversity in the same way that you lose your car keys. I'm talking about losing it in the same way that we lost the dinosaurs: actually losing it, never to be seen again.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
