Adele Quotes
Quotes to Explore
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In the mid-1990s, when Russia was undergoing a construction boom, I entered the real estate development market.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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I think a British icon is someone who conducts themself with real dignity: someone who is truly talented and modest. These are things that I would aspire to in my career.
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I think with girlfriends, you always want your girlfriends to make the decisions for themselves, not based on a boy, not based on anything other than, 'Is this what you want?' Is this you know what you want to do?' And that's real support to me.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I write romance because I love to read romance.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I never write about the road. I never write about hotels or anything like that.
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I can't do it every day. They're not going to give me much to hit right now. They're pitching me real well. If I get there, fine.
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My only real advice to Oscar nominees is, 'If you haven't actually seen a competitor's film, don't fib and say you have and blow smoke up their wahooziewhatsits.' Always best to be frank and tell them the truth.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
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As long as it says Metallica on the record it's Metallica.
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Now it is evident that a little insight into the customs of every people is necessary to insure a kindly communication; this, joined with patience and kindness, will seldom fail with the natives of the interior.
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The great advantage of a hotel is that it is a refuge from home life.
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I think there's a great strength in having the courage and also having the support to do what you want to do when you're an artist in any way, shape or form.
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We're not a political band. We don't want to tell people what to do or what to think. We just want to tell them to think.
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There's a switch inside every one of us that I guess grew there as a necessary part of survival. How can you drag a fish up out of the river for your supper if you feel the yank of the hook in your own cheek? I get that part. We can't feel for everyone and everything all the time. We'd die of fear or sorrow a hundred times a day. The thing is, it's gotten so we flick the switch off like it's nothing. And, more often than not, we forget to turn it back on.
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I can't write another breakup record. That would be a real cliche.
