Randy Houser Quotes
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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When I write a movie, I write it for me.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I write romance because I love to read romance.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I just write mechanical things.
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I tend to name albums after one of the songs.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I think I would like to write screenplays, books, really anything.
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When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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Learning to write . . . is a desperately idiosyncratic, eccentric, single-souled, lifelong quest.
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It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.
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You just sit home and masturbate. The phone is going to ring soon, but you just can't wait.
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I really tend to write in retrospect.
