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The reason I've gotten into script-writing, which was accidental to begin with, was that I found it was a far more effective medium for violence. Which is something that I'd always written in songs, but the violence always sat strangely within a song. And I was always interested in the way in which you listen to murder ballads and things like that - these weird lines would kind of come out, like, I drug her by the hair or something - that sat weirdly in the song. Film seems to be a medium designed for betrayal and violence.
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I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.
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A gentleman never talks about his tailor.
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He who seeks, finds, and who knocks, will be let in.
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I can control the weather with my moods. I just can’t control my moods.
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An audience is the perfect thing to unleash venom and hate on. It doesn't necessarily mean you hate everyone in the audience but when you've got a so-called adoring mass in front of you, it's a perfect target for that kind of disgust. Sometimes you find yourself in a position where you're venting your disgust on an audience and a lot of them keep coming back 'cos they actually like that aspect. In a way that diffuses the feeling and you don't gel the same release.
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I have a particular dislike for children's films. I'm way past the novelty aspect.
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The problem with books, now that I've written one, is that the idea of adaptation is so much easier than sitting down to write something new.
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The society of whores stuck needles in an image of me.
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My biggest fear is losing memory because memory is what we are. Your very soul and your very reason to be alive is tied up in memory.
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I suspect the older you get the more invisible you become.
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Love is a state that I would like to exist in continuously.
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Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
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To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.
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Guns are part of the American psyche, aren't they? This is collateral damage for having a Wild West mentality. It's intrinsic to the American psyche. It's never going to change.
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We cannot afford to be idle. To act on a bad idea is better than to not act at all. Because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand, and pray will not be extinguished by all the storm that howls about it. If you could hold onto that flame, great things could construct around it, that are massive and powerful and world changing, all held up by the tiniest of ideas.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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The older I get, the more I feel those kinds of ghosts - especially the women in my life - moving out of the shadows a bit more and becoming more present in my life.
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People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.
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I don't have any authority to talk about the domestic policies of America. But as an outsider, I am mystified by the fact that you are encouraged to buy a gun, but if you use it for the purpose that it is expressly designed for, you get the death penalty. That aspect of America is kind of mystifying.
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And I wish that I was made of stone So that I would not have to see A beauty impossible to define A beauty impossible to believe A beauty impossible to endure The blood imparted in little sips The smell of you still on my hands As I bring the cup up to my lips No God up in the sky No devil beneath the sea Could do the job that you did, baby Of bringing me to my knees...
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The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
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But if you're gonna dine with them cannibals Sooner or later, darling, you're gonna get eaten . . .
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Rock music is the province of the young, and it should be made by young people. I'm not running around in a pair of spandex tights trying to reclaim my youth.