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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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The actualising of God through the medium of the love song remains my prime motivation as an artist.
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It's very important that the music has a sense of adventure to it, and that it's done by the seat of your pants. There's a kind of nervy element about it.
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Jesus Christ was the biggest blight on the human race, he was. And all them socialists and communists - second rate Christianity.
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Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.
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I've always had an obligation to creation, above all.
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Being a parent can make you a horrible person at times, because you're pushed to the limit constantly.
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I have an armchair interest in gardening, but I don't like to get my knees dirty. I don't have a garden.
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I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.
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When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
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I don't believe in an interventionist God...
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Most screen violence is tedious.
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As people buy less and less records, it's become more and more important for me to spend more and more on them - to lavish that much more attention on them. The Bad Seeds were always quite protective and old school, but Grinderman has opened us up to do anything and be shameless. We're not so precious about it.
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My records are basically a litany of complaints against the world, and I'm quite like that in real life as well.
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I've watched 'Oprah Winfrey.' And I'm proud. I don't care what anybody says! I don't know whether I've watched it. I've been in the room while it's been on.
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I'm hugely self-critical in the morning.
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I don't know, maybe Australian humour isn't supposed to be funny. It's as dry as the Sahara, and I think people miss that.
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An artist's duty is rather to stay open-minded and in a state where he can receive information and inspiration. You always have to be ready for that little artistic Epiphany.
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Oh, a passing, skeptical kind of interest. I'm a hammer-and-nails kind of guy.
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You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
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I used to believe that if I could do certain things - write a book or be a successful musician - that I'd be transformed into a happy person, but it doesn't work that way.
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Film seems to be a medium designed for betrayal and violence.
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Hamlet got a gun now.